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7956 film reviews available in total starting from 04/09/2002. Last updated on 19/08/2025. 757 film reviews inserted in the last 12 months.
LATEST
Reproduction by Katharina Pethke
17/02/2024
BERLINALE 2024: Katharina Pethke’s extensive, multi-generational research establishes a link between art, sculpture, architecture, and women’s professional and personal decisions
Mother and Daughter, or the Night Is Never Complete by Lana Gogoberidze
BERLINALE 2024: Lana Gogoberidze’s documentary, co-directed by her daughter Salomé Alexi, is a moving personal story that features a unique family clan of female filmmakers
The Editorial Office by Roman Bondarchuk
BERLINALE 2024: Returning to the deep south of his native Ukraine, Roman Bondarchuk creates a smart, often outlandish but carefully observed reflection on the local media
Sex by Dag Johan Haugerud
BERLINALE 2024: Dag Johan Haugerud’s new feature asks important questions about the social conditioning of male heterosexuality
My Favourite Cake by Maryam Moghaddam, Behtash Sanaeeha
BERLINALE 2024: Directorial duo Maryam Moghaddam and Behtash Sanaeeha craft a straightforward but heartfelt dramedy of love and resistance against patriarchy in old age
Last Swim by Sasha Nathwani
BERLINALE 2024: A gaggle of London school leavers contend with the first day of the rest of their lives, in Sasha Nathwani’s solid debut
Meanwhile on Earth by Jérémy Clapin
16/02/2024
BERLINALE 2024: Propelled by an innate sense of mise en scène, Jérémy Clapin makes the great leap from animation to fiction with an astonishing movie intertwining genres
The Undergrowth by Macu Machín
BERLINALE 2024: Canarian director Macu Machín’s debut feature is an enigmatic documentation of familial bonds and their contradictions
Averroes & Rosa Parks by Nicolas Philibert
BERLINALE 2024: After his Golden Bear winner On the Adamant, Nicolas Philibert is back with a second instalment in his trilogy about mental illness, which is even more impressive than the first
Shahid by Narges Kalhor
BERLINALE 2024: Narges Kalhor’s film is imaginative and rebellious, combining myriad art forms and discarding cinematic traditions, but struggles under the weight of its own ambition
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