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7909 film reviews available in total starting from 04/09/2002. Last updated on 25/07/2025. 762 film reviews inserted in the last 12 months.
LATEST
The Richest Woman in the World by Thierry Klifa
20/05/2025
CANNES 2025: Thierry Klifa has imagined a film as tonally superlative as its title, animated by the choice trio of Isabelle Huppert, Laurent Lafitte and Marina Foïs
Tell Her That I Love Her by Romane Bohringer
CANNES 2025: French actress Romane Bohringer delivers a personal and generous documentary about women who were abandoned by their own mothers before they became mothers themselves
The Phoenician Scheme by Wes Anderson
CANNES 2025: Wes Anderson’s latest effort is another elegant yet forgettable chapter in his filmography
Alpha by Julia Ducournau
CANNES 2025: Titane’s Julia Ducournau returns with an exhausting, weird AIDS parable that’s somehow not weird enough
Meteors by Hubert Charuel
19/05/2025
CANNES 2025: In a touching tale of friendship carried by Idir Azougli and Paul Kircher, Hubert Charuel takes the temperature of our times through youngsters without a future far from the big cities
The Party's Over! by Antony Cordier
CANNES 2025: Antony Cordier and his wild actors have fun with a sudden and fierce battle between rich and poor arbitrated by an idealistic young class defector
Once Upon a Time in Gaza by Arab Nasser, Tarzan Nasser
CANNES 2025: In their humanistic, precise and relaxed style, brothers Arab and Tarzan Nasser put together the true and the false, reality and fiction, genre cinema and geo-political x-ray
The Secret Agent by Kleber Mendonça Filho
CANNES 2025: Kleber Mendonça Filho creates a playful, choral and sophisticated cinematic partition in dizzying narrative arpeggio, revealing the dark memory of Brazil under dictatorship
No One Will Know by Vincent Maël Cardona
CANNES 2025: A gun and a winning ticket are the dramaturgical drivers of Vincent Maël Cardona’s second feature, a genre film borrowing from the slasher and heist movies
Urchin by Harris Dickinson
CANNES 2025: Harris Dickinson debuts as a director with this striking depiction of addiction that blends light comedy and emotional depth
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