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8760 film reviews available in total starting from 04/09/2002. Last updated on 20/10/2026. 650 film reviews inserted in the last 12 months.
LATEST
House of the Wind by Auguste Bernard Kouemo Yanghu
04/09/2026
VENICE 2026: Auguste Bernard Kouemo Yanghu delivers a highly authentic debut feature film about an elderly Cameroonian mother trying to preserve her bond with her children who have moved to Europe
Falling House by Mohsen Gharaei
VENICE 2026: An Iranian family man loses his house and his nerve in Mohsen Gharaei’s often intriguing, but ultimately uneven, drama
No Pain by Gianni Amelio
03/09/2026
VENICE 2026: The screenplay behind Gianni Amelio’s muddled romantic fable lacks the rhetorical resources needed to make the plot plausible
Wild Horse Nine by Martin McDonagh
VENICE 2026: John Malkovich and Sam Rockwell star in another classic Martin McDonagh tragicomedy, this time with larger helpings of geopolitical paranoia
Bucking Fastard by Werner Herzog
VENICE 2026: Werner Herzog's latest sees Ireland as the setting for an absurd fable on identity, inspired by the extraordinary real-life Chaplin twins, from York
I Plant My Hand in the Garden by Boris Hadžija, Hoda Taheri
VENICE 2026: Straddling autobiography and fiction, Hoda Taheri and Boris Hadžija’s debut feature film probes family, identity and belonging, challenging the roles society assigns us
Giaffa the Great by Marco Santi
VENICE 2026: Marco Santi’s feature debut turns one man’s crisis of invisibility into a darkly grotesque, Pirandellian game of masks, performance and borrowed identity
Ink by Danny Boyle
02/09/2026
VENICE 2026: Danny Boyle tells the salacious story of the UK’s notorious The Sun tabloid, with Jack O’Connell as the first editor under Rupert Murdoch’s leadership
My Notes on Mars by Lili Horvát
VENICE 2026: Lili Horvát takes an exploratory dive into couples’ relationships in a highly original and enigmatic story combining realism and astrophysical science-fiction
The Girl with the Leica by Alina Marazzi
VENICE 2026: Alina Marazzi follows Gerda Taro in her endeavour to document the Spanish Civil War, which led her to become the first female photojournalist to have died on a frontline
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