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8050 film reviews available in total starting from 04/09/2002. Last updated on 20/09/2025. 737 film reviews inserted in the last 12 months.
LATEST
Young Hearts by Anthony Schatteman
17/02/2024
BERLINALE 2024: Anthony Schatteman’s first film is a luminous coming-of-age tale in an autobiographical vein about a young boy discovering love
Another End by Piero Messina
BERLINALE 2024: In his sophomore feature, Piero Messina explores a wide array of old and new sci-fi tropes, crafting a touching yet imperfect tale about loss
Intercepted by Oksana Karpovych
BERLINALE 2024: Phone calls of Russian soldiers on the Ukrainian frontlines to their loved ones back home unveil shocking depravity, and much more, in Oksana Karpovych’s documentary
Demba by Mamadou Dia
BERLINALE 2024: Senegalese director Mamadou Dia deals with mental health and the perception of it, with a distinct stylistic approach that works both in the film’s favour and to its detriment
Reproduction by Katharina Pethke
BERLINALE 2024: Katharina Pethke’s extensive, multi-generational research establishes a link between art, sculpture, architecture, and women’s professional and personal decisions
Mother and Daughter, or the Night Is Never Complete by Lana Gogoberidze
BERLINALE 2024: Lana Gogoberidze’s documentary, co-directed by her daughter Salomé Alexi, is a moving personal story that features a unique family clan of female filmmakers
The Editorial Office by Roman Bondarchuk
BERLINALE 2024: Returning to the deep south of his native Ukraine, Roman Bondarchuk creates a smart, often outlandish but carefully observed reflection on the local media
Sex by Dag Johan Haugerud
BERLINALE 2024: Dag Johan Haugerud’s new feature asks important questions about the social conditioning of male heterosexuality
My Favourite Cake by Maryam Moghaddam, Behtash Sanaeeha
BERLINALE 2024: Directorial duo Maryam Moghaddam and Behtash Sanaeeha craft a straightforward but heartfelt dramedy of love and resistance against patriarchy in old age
Last Swim by Sasha Nathwani
BERLINALE 2024: A gaggle of London school leavers contend with the first day of the rest of their lives, in Sasha Nathwani’s solid debut
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