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8709 film reviews available in total starting from 04/09/2002. Last updated on 18/09/2026. 654 film reviews inserted in the last 12 months.
LATEST
A Whole Person Almost by Efthimis Kosemund-Sanidis
07/07/2026
In Efthimis Kosemund Sanidis' debut feature, the hero travels to an island to claim his inheritance, but instead learns something new about himself, his father and humanity itself
The Guest by Mads Mengel
Mads Mengel applies Nordic dark comedy to his first feature film, which charts the breakdown of a family event following the arrival of the titular character
Hokum by Damian McCarthy
Damian McCarthy gets audiences trembling with a supernatural thriller skilfully playing with folk horror codes
The Holy Boy by Paolo Strippoli
Paolo Strippoli tells the story of a mountain village which survives thanks to the healing power of a disturbing teenager known as “the angel of Remis”
Black Money for White Nights by Petar Valchanov, Kristina Grozeva
06/07/2026
Bulgaria’s Kristina Grozeva and Petar Valchanov are back with another tragicomedy rooted in the peculiarities of their home country’s petty mentality, this time fuelled by the global political context
Only Beautiful Things to Look At by Ivan Ostrochovský
Ivan Ostrochovský’s careful unraveling of biopolitical control centres on the friendship between a white female doctor and a Romani nurse in 1980s Czechoslovakia
Petty Thieves by Mate Ugrin
Croatian director Mate Ugrin's feature debut is a subtle, atmospheric and ambiguous film about two young employees of a posh hotel who team up to steal from the rich guests
33 Steps by Anna Domček, Šimon Domček
Slovak filmmakers Anna and Šimon Domček's first feature is a docufiction hybrid about a Roma man suffering from trauma after a brutal attack that almost killed him
Chica Checa by Šimon Holý
In Šimon Holý’s warm, intergenerational dramedy, a son’s hidden drag persona becomes the catalyst for a widowed mother’s late-life reawakening and hard-won acceptance
The Guests by Stefan Butzmühlen, Cristina Diz
Cristina Diz and Stefan Butzmühlen’s feature has the texture, performances and emotional seriousness of a strong period road movie, and strives to make its journey fully resonate
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