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7959 film reviews available in total starting from 04/09/2002. Last updated on 21/08/2025. 755 film reviews inserted in the last 12 months.
LATEST
Sidonie in Japan by Elise Girard
01/09/2023
VENICE 2023: Following in the wake of Isabelle Huppert, Élise Girard imposes her own trademark aerial cinematography, travelling in Japan and exploring the contours and the echoes of reality
Milk by Stefanie Kolk
VENICE 2023: The debut film from Dutch filmmaker Stefanie Kolk follows a young woman who has lost her baby in her unique grieving process
Explanation for Everything by Gábor Reisz
VENICE 2023: Gábor Reisz delivers a brilliant, fascinating and intelligent work about modern-day Hungary, telling a composite story about youth, education, the media and politics
Vienna Calling by Philipp Jedicke
Philipp Jedicke’s portrait of the Viennese music scene manages to capture its eccentric nature, but could have dug a little deeper
Ferrari by Michael Mann
VENICE 2023: Michael Mann’s take on the legendary Italian entrepreneur and engineer is another clumsy biopic that lacks credibility and is highly stereotypical
DogMan by Luc Besson
VENICE 2023: Luc Besson shows you can teach an old dog new tricks with his twisted, fun, crazy film – and he might even bring you some flour
God Is a Woman by Andres Peyrot
31/08/2023
VENICE 2023: Andrés Peyrot dives into the wake of a lost film shot in the heart of a Panamanian community by the Oscar-winning French documentary-maker Pierre-Dominique Gaisseau in the 1970s
Oceans Are the Real Continents by Tommaso Santambrogio
VENICE 2023: Having opened the competition at the 20th Giornate degli Autori, Tommaso Santambrogio’s debut feature film is a poetic reflection on the theme of separation
City of Wind by Lkhagvadulam Purev-Ochir
VENICE 2023: Lkhagvadulam Purev-Ochir impresses with her debut feature, which investigates what happens to the souls of young people in Ulaanbaatar, the Mongolian capital
The Order of Time by Liliana Cavani
VENICE 2023: With the end of the world just around the corner in Liliana Cavani’s film, inconvenient secrets emerge that may not be, well, the end of the world
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