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7904 film reviews available in total starting from 04/09/2002. Last updated on 15/07/2025. 765 film reviews inserted in the last 12 months.
LATEST
Légua by Filipa Reis, João Miller Guerra
24/05/2023
CANNES 2023: Filipa Reis and João Miller Guerra alight on three generations of women who make up the servant class of a large estate, in a tale with the uncanny aura of a ghost story
Close Your Eyes by Víctor Erice
CANNES 2023: Spanish super-auteur Víctor Erice returns, laying bare his absolute love of cinema in more or less every frame
Power Alley by Lillah Halla
CANNES 2023: The first feature by Brazilian director Lillah Halla is a vibrant, sweaty mashup of underdog sports flick and arthouse abortion drama
The Delinquents by Rodrigo Moreno
CANNES 2023: Rodrigo Moreno’s criminally good crime story in three acts shows that “cinema is not really dead”
Grace by Ilya Povolotsky
CANNES 2023: Ilya Povolotsky’s film is a soporific coming-of-age drama, and an escapist piece whose presence on the Croisette is out of place and comes at totally the wrong time
Kidnapped by Marco Bellocchio
CANNES 2023: Marco Bellocchio takes the kidnap of a Jewish child and the abuse of power on the part of a “Pope King” as a pretext for a new reinterpretation of the present in light of the past
Marguerite's Theorem by Anna Novion
23/05/2023
CANNES 2023: A maths whizz-kid suddenly strays from her path and finds out what real life is in this entertaining and unassuming film by Anna Novion
Omen by Baloji
CANNES 2023: Baloji delivers a dizzying and visually intoxicating first feature film about the intertwined fates of four banished souls in an ultra-modern African world
The Buriti Flower by João Salaviza, Renée Nader Messora
CANNES 2023: João Salaviza and Renee Nader Messora craft a film both direct in its portrait of an indigenous community in Brazil, and evocative about the role of memory in its endurance
The Other Laurens by Claude Schmitz
CANNES 2023: Claude Schmitz uses the armaments of film noir to put pay to the testosterone-fuelled heroes of his youth and to revisit the genre, as well as gender itself
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