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8131 film reviews available in total starting from 04/09/2002. Last updated on 31/10/2025. 725 film reviews inserted in the last 12 months.
LATEST
Stereo Girls by Caroline Deruas Peano
28/08/2025
VENICE 2025: Caroline Deruas Peano reincarnates the intensity of teenage emotions in a film that takes many formal risks with undeniable charm
Director’s Diary by Aleksandr Sokurov
VENICE 2025: Aleksandr Sokurov returns with a provocative work recounting the late 20th century in Russia and elsewhere, that’s somewhere between a rolling TV news broadcast and installation art
La grazia by Paolo Sorrentino
VENICE 2025: Politics and existentialism are lent exquisite, low-key Italian beauty in Paolo Sorrentino’s new film, starring his regular Toni Servillo
Mother by Teona Strugar Mitevska
27/08/2025
VENICE 2025: Teona Strugar Mitevska places us in Mother Teresa’s head for a few days, as she dispels the last remaining doubts stopping her from fulfilling her wildest ambition
Memory by Vladlena Sandu
VENICE 2025: Exploring her childhood memories in the midst of war, Vladlena Sandu has created a debut feature of exceptional cinematic creativity
Stars of Little Importance by Renátó Olasz
25/08/2025
Renátó Olasz makes his directorial debut with this film looking at a pair of siblings coming home for Christmas and the memories stirred by this return
9-Month Contract by Ketevan Vashagashvili
Ketevan Vashagashvili’s film about one woman’s experience in the Georgian commercial surrogacy market is a unique new instalment in the oeuvre of body-politics documentaries
Whites Wash at Ninety by Marko Naberšnik
A young woman has to deal with personal tragedies and the loss of her loved ones in Marko Naberšnik’s adaptation of a bestselling novel by Bronja Žakelj
Cuba & Alaska by Yegor Troyanovsky
22/08/2025
Yegor Troyanovsky’s film follows two female combat medics whose spirit and zest for life make it stand out among the numerous documentaries set on Ukraine's frontlines
Bosnian Knight by Tarik Hodžić
Tarik Hodžić’s documentary about the history of Bosnia and Herzegovina is enlightening but gets bogged down by an overly sanitised visual style
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