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8218 film reviews available in total starting from 04/09/2002. Last updated on 16/01/2026. 702 film reviews inserted in the last 12 months.
LATEST
Big Kids by Andréa Bescond, Eric Métayer
13/03/2023
For their second feature film Andréa Bescond and Eric Métayer organise an encounter without pretence but full of hope between different generations
Meet Me in the Bathroom by Will Lovelace, Dylan Southern
09/03/2023
Will Lovelace and Dylan Southern’s documentary about the New York punk rock scene in the early 2000s is an engaging journey back to a time before the world changed forever
Mouth Full of Earth by Puriša Đorđević
08/03/2023
Veteran filmmaker Mladomir Puriša Đorđević’s final effort is inspired and slick, but ultimately emerges as an incoherent film
The Last Seagull by Tonislav Hristov
In his seventh feature-length documentary, Bulgaria’s Tonislav Hristov portrays an “endangered species” of a character while disclosing curious details about a very local phenomenon
The Crime Is Mine by François Ozon
07/03/2023
François Ozon enjoys himself and also entertains us with a masterful comedy, both light and caustic, lending MeToo accents to a 1930s play and offering his actors a joyous terrain
Electric Malady by Marie Lidén
The documentary by Swedish-born director Marie Lidén is formally ambitious but light on insight
Femme by Sam H. Freeman, Ng Choon Ping
06/03/2023
BERLINALE 2023: A drag performer engages in a dance of seduction and death with a closeted drug pusher in this exciting and tense debut by Sam H Freeman and Ng Choon Ping
Under the Sky of Damascus by Heba Khaled, Talal Derki, Ali Wajeeh
BERLINALE 2023: The production of Heba Khaled, Talal Derki and Ali Wajeeh's film fell victim to the very issue it addresses, but it remains an important document and a sign of hope against all odds
A Fleeting Dream by Darko Lungulov
03/03/2023
In his documentary, Darko Lungulov tells the story of a rock band consisting of brothers and nephews, and its home country of Yugoslavia
Anqa by Helin Çelik
BERLINALE 2023: Helin Çelik’s glimpse into abuse and trauma boasts a moving narrative but is visually bare
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