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7904 film reviews available in total starting from 04/09/2002. Last updated on 16/07/2025. 763 film reviews inserted in the last 12 months.
LATEST
The Bride by Sérgio Tréfaut
15/09/2022
VENICE 2022: Sérgio Tréfaut’s short, sharp film follows a female inductee of Daesh, as she awaits her own trial after her husband’s execution
The Gravity by Cédric Ido
14/09/2022
Control of the banlieue and its traffic networks, the weight of the past, present conflicts and dreams of faraway futures all collide with a cosmic phenomenon in Cédric Ido’s original film
Amanda by Carolina Cavalli
VENICE 2022: Carolina Cavalli’s debut film about an eccentric 25-year-old woman looking for friendship is inspired by independent, American coming-of-age comedy dramas
The Damned Don't Cry by Fyzal Boulifa
VENICE 2022: Fyzal Boulifa’s beautifully made second feature charts the divergent fortunes of a mother and her late-adolescent son in Morocco, who are forced into itinerant, unstable work
The Last Days of Humanity by Enrico Ghezzi, Alessandro Gagliardo
13/09/2022
VENICE 2022: The documentary by enrico ghezzi and Alessandro Gagliardo is a torrential and magmatic montage film that testifies to the uniqueness of the language of the moving image
Winter Boy by Christophe Honoré
12/09/2022
Christophe Honoré delivers a poignant and formally very impressive work centred on a grieving teenager
Employee of the Month by Véronique Jadin
With her first feature, Véronique Jadin dares to make a grating, political, resolutely feminist and joyfully outrageous comedy about patriarchy and the working world
Sarajevo Safari by Miran Zupanič
Miran Zupanič’s doc may be imperfectly crafted, but it still elicits the right emotions about the unspeakable activities of certain circles during the 1990s war in Bosnia and Herzegovina
Hanging Gardens by Ahmed Yassin Al Daradji
VENICE 2022: A spectacular find among the rubble of post-war Baghdad causes disruption, unrest and hilarity in Ahmed Yassin Al-Daradji’s film
The Matchmaker by Benedetta Argentieri
VENICE 2022: There is a lot of talking going on in this documentary, but Benedetta Argentieri still doesn’t say much
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