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7902 film reviews available in total starting from 04/09/2002. Last updated on 12/07/2025. 767 film reviews inserted in the last 12 months.
LATEST
The Devil's Confession: The Lost Eichmann Tapes by Yariv Mozer
07/06/2022
Yariv Mozer’s doc reconsiders the 1961 trial of Adolf Eichmann – known as one of the architects of the Holocaust – in light of an interview he gave whilst hiding in Argentina a few years earlier
40 Steps by Gad Aisen
Gad Aisen and Manor Birman study the fault lines in Israeli society by referring to the case of two different schools sharing a playground in the Shapira neighbourhood of Tel Aviv
The Italian Recipe by Zuxin Hou
02/06/2022
The romantic comedy by Zuxin Hou, shot in the Rome of fairy tales, is designed for the Asian market but could also find success in Europe
Men by Alex Garland
CANNES 2022: Alex Garland has seen hell in his latest work, and it turns out to be a quaint English village where every man is Rory Kinnear
Ashkal by Youssef Chebbi
01/06/2022
CANNES 2022: In Youssef Chebbi’s pensive thriller, mysterious self-immolations abound at a Tunisian housing development associated with the pre-revolutionary regime
Fragile Memory by Igor Ivanko
Attempting to record memories of his grandfather, a great cinematographer, before they are gone, Ukrainian director Igor Ivanko comes up with an emotional and informative documentary
Will-o'-the-Wisp by João Pedro Rodrigues
31/05/2022
CANNES 2022: Portuguese filmmaker Joāo Pedro Rodrigues’ latest effort is a queer musical-fantasy about a dying king, set suggestively in the year 2069
Figure–Ground by Tal Elkayam
Tal Elkayam's compilation of YouTube videos that counterpoint life in Tel Aviv and the West Bank becomes an engaging and piercing film essay
The Natural History of Destruction by Sergei Loznitsa
CANNES 2022: For his latest archive-derived doc, Sergei Loznitsa focuses his attention on the Allied bombing campaigns on German cities during World War II
De humani corporis fabrica by Verena Paravel, Lucien Castaing-Taylor
30/05/2022
CANNES 2022: Gut-wrenching but never grotesque, Lucien Castaing-Taylor and Véréna Paravel’s new documentary is an opera of the operating table
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