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8199 film reviews available in total starting from 04/09/2002. Last updated on 02/12/2025. 708 film reviews inserted in the last 12 months.
LATEST
Rabiye Kurnaz vs. George W. Bush by Andreas Dresen
13/02/2022
BERLINALE 2022: Andreas Dresen’s new film tells of the odyssey of an ordinary woman forced to transform herself into a true “Mother Courage”
Coma by Bertrand Bonello
12/02/2022
BERLINALE 2022: Bertrand Bonello offers up a spellbinding experimental film, a handcrafted work of creative genius made very freely, during a time of lockdowns and of mental escape into the depths
Dreaming Walls by Amélie van Elmbt, Maya Duverdier
Amélie Van Elmbt and Maya Duverdier deliver a documentary portrait of the legendary Chelsea Hotel, paying a historic, fantasy visit to this bohemian New York Mecca
Into My Name by Nicolò Bassetti
BERLINALE 2022: Executively produced by Elliot Page, Nicolò Bassetti’s documentary tells the open-hearted story of four trans youngsters and their extraordinary normality
A Flower in the Mouth by Eric Baudelaire
BERLINALE 2022: Éric Baudelaire adapts Pirandello in a very singular fashion in a strange and intelligent film that doesn’t look like any other and dominated by the captivating Oxmo Puccino
Incredible But True by Quentin Dupieux
BERLINALE 2022: With his latest film, Quentin Dupieux will be able to turn anyone into a “basement person”
We, Students! by Rafiki Fariala
BERLINALE 2022: Rafiki Fariala's first feature is a warm and insightful documentary about friendship and the situation of students at the University of Bangui in the Central African Republic
Rimini by Ulrich Seidl
BERLINALE 2022: Ulrich Seidl returns after a decade-long absence from fiction filmmaking with a characteristically harrowing work, which still finds glints of light in the void
Lullaby by Alauda Ruiz de Azúa
11/02/2022
BERLINALE 2022: First-time feature director Alauda Ruiz de Azúa delves into mother-child relations in her intimate film toplined by Laia Costa and Susi Sánchez
The Line by Ursula Meier
BERLINALE 2022: Ursula Meier subtly explores a tumultuous world of intense and contradictory emotions in a film which dazzles for its female cast, led by acting revelation Stéphanie Blanchoud
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