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8327 film reviews available in total starting from 04/09/2002. Last updated on 19/02/2026. 694 film reviews inserted in the last 12 months.
LATEST
Enjoy Your Stay by Dominik Locher
16/02/2026
BERLINALE 2026: Dominik Locher lays bare the devastating realities of undocumented workers in a Swiss resort town through a fictional tale of physical and psychological endurance
Trial of Hein by Kai Stänicke
BERLINALE 2026: Kai Stänicke recounts the tale of an emigrant returning home in search of the past, only to be confronted by the fallibility of memory
Dust by Anke Blondé
15/02/2026
BERLINALE 2026: Anke Blondé follows the last 36 hours of freedom of two Flemish tech entrepreneurs on the verge of being arrested at the dawn of the 21st century
Rose by Markus Schleinzer
BERLINALE 2026: Markus Schleinzer casts Sandra Hüller in the role of a man during the Thirty Years’ War, while probing societally ingrained xenophobia and misogyny
The Education of Jane Cumming by Sophie Heldman
BERLINALE 2026: In her female-centred narrative, Sophie Heldman zooms in on a judicial case emblematic of the oppression exerted by social conformity against aspirations to difference
Chronicles from the Siege by Abdallah Al-Khatib
BERLINALE 2026: Abdallah Al-Khatib makes his feature-length fiction debut with a film on a series of interconnected stories about ordinary people surviving under fire
Salvation by Emin Alper
BERLINALE 2026: A dormant feud between two Kurdish tribes reawakens in Emin Alper’s careful and consistent examination of how hatred, paranoia and tribalism take root
Atlas of the Universe by Paul Negoescu
BERLINALE 2026: It’s time for a big little journey in Paul Negoescu’s odyssey about a missing left shoe – and love of football
Tristan Forever by Tobias Nölle, Loran Bonnardot
BERLINALE 2026: Swiss director Tobias Nölle and French doctor and filmmaker Loran Bonnadort team up to tell the latter’s thought-provoking and psychologically nuanced story
Truly Naked by Muriel d’Ansembourg
BERLINALE 2026: As gentle as it is explicit, Muriel d’Ansembourg’s feature debut tells a coming-of-age love story against the unexpected backdrop of the homemade porn industry
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