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7911 film reviews available in total starting from 04/09/2002. Last updated on 29/07/2025. 760 film reviews inserted in the last 12 months.
LATEST
Islands by Jan Ole Gerster
17/02/2025
BERLINALE 2025: Jan-Ole Gerster’s new film is a well-crafted story about a man who lives borrowed lives
The Kiss of the Grasshopper by Elmar Imanov
BERLINALE 2025: Elmar Imanov's surrealist second feature is an introspective journey through the melancholy, solitude and backsliding that inevitably accompany the loss of a loved one
Reflection in a Dead Diamond by Hélène Cattet, Bruno Forzani
BERLINALE 2025: Hélène Cattet and Bruno Forzani present a baroque spy film with some crazy twists and turns, which is both fun and exhausting
The Ice Tower by Lucile Hadzihalilovic
BERLINALE 2025: Lucile Hadžihalilović offers up a sensual yet peculiar rendition of The Snow Queen, a blend of modern fairy tale and coming-of-age story
How to Be Normal and the Oddness of the Other World by Florian Pochlatko
BERLINALE 2025: In his feature debut, Florian Pochlatko dives into the head of a neurodiverse young woman who struggles to fit into a predetermined societal role
The Blue Trail by Gabriel Mascaro
16/02/2025
BERLINALE 2025: Gabriel Mascaro’s film is an explosive combination of a powerful leading character, stunning scenery, sharp humour and mystical rituals
Köln 75 by Ido Fluk
BERLINALE 2025: An 18-year-old concert promoter stages one of the most legendary jazz gigs in history, by Keith Jarrett, in Ido Fluk’s biopic
Eighty Plus by Želimir Žilnik
BERLINALE 2025: Serbian director Želimir Žilnik returns with a gentle, cross-generational story that applies his interest in social injustice in order to pick apart layers of history
Where the Night Stands Still by Liryc Dela Cruz
15/02/2025
BERLINALE 2025: Liryc Dela Cruz plays with the shadows of exile and memory for a personal and controlled debut feature about Filipino siblings reuniting in Italy
Hysteria by Mehmet Akif Büyükatalay
BERLINALE 2025: Mehmet Akif Büyükatalay's anticipated second feature deals with the important issues of the position and representation of migrants in Europe, but leaves the viewer confused
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