Film Reviews

8148 film reviews available in total starting from 04/09/2002. Last updated on 12/11/2025. 725 film reviews inserted in the last 12 months.

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Moneyboys by C.B Yi

CANNES 2021: CB Yi highlights the inner turmoil of a gay hustler with family problems in South China

Moneyboys

Moneyboys

Vortex by Gaspar Noé

CANNES 2021: What a beautiful surprise: a minimalist, quietist, three-character drama about death and mourning, from Gaspar Noé, of all people

Vortex

Vortex

Let It Be Morning by Eran Kolirin

CANNES 2021: Israeli director Eran Kolirin returns with a fitfully amusing comedy-drama about the fortunes of a small Arab-majority village in Israel

Vayehi Boker

Vayehi Boker

The Restless by Joachim Lafosse

CANNES 2021: Joachim Lafosse returns to a cinema of intimacy, following a couple separated by illness, when one of them seems to become absent from the relationship while the other over-invests in it

Les Intranquilles

Les Intranquilles

Freda by Gessica Geneus

CANNES 2021: Despite some flaws, Gessica Généus’ debut manages to gift viewers with some authentic takes on how hard it is to be young in today’s Haiti

Freda

Freda

Our Men by Rachel Lang

CANNES 2021: Rachel Lang delivers an unsettling and surprising story set within an obscure community, which questions military careers when viewed through the prism of love and family

Mon légionnaire

Mon légionnaire

Prayers for the Stolen by Tatiana Huezo

CANNES 2021: Tatiana Huezo makes a confident leap into fiction, in this often bleak coming-of-age drama film about a rural community threatened by drug cartels

Noche de fuego

Noche de fuego

Memoria by Apichatpong Weerasethakul

CANNES 2021: World-class champion of sensory cinema Apichatpong Weerasethakul is back in fine shape, aided by Tilda Swinton and some highly fructiferous Colombian plant life

Memoria

Memoria

Casablanca Beats by Nabil Ayouch

CANNES 2021: Nabil Ayouch has made an excellent tale that is both a love affair with hip hop and a look at how the Moroccan youth is challenging orthodox views in the digital age

Haut et fort

Haut et fort

Aya by Simon Coulibaly Gillard

CANNES 2021: Simon Coulibaly Gillard delivers a traditional yet unusual coming-of-age tale which borrows from the documentary form in terms of its method and from fiction in terms of its power

Aya

Aya

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Cineuropa - the best of european cinema

Cineuropa - the best of european cinema