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8150 film reviews available in total starting from 04/09/2002. Last updated on 13/11/2025. 724 film reviews inserted in the last 12 months.
LATEST
The Tsugua Diaries by Maureen Fazendeiro, Miguel Gomes
15/07/2021
CANNES 2021: Portugal’s Miguel Gomes and Maureen Fazendeiro create a jam session on approaches to pandemic-era filmmaking, in their funny debut as co-directors
Paris, 13th District by Jacques Audiard
CANNES 2021: Jacques Audiard embarks upon a rejuvenating experience with unfettered freedom, subtly criss-crossing the trajectories and relationships of four modern-day youngsters
Feathers by Omar El Zohairy
CANNES 2021: Omar El Zohairy has won the Grand Prize for Best Film in the Critics’ Week for his absurdist comedy that turns a patriarchal father into a chicken
Mi iubita mon amour by Noémie Merlant
14/07/2021
CANNES 2021: Noémie Merlant's first directorial effort is a film full of charm about a story of love at first sight and an entirely unexpected journey beyond the boundaries of prejudice
The Stronghold by Cédric Jimenez
CANNES 2021: Cédric Jimenez’s punchy film with an American style and a Manichean ideology centres on three Marseille cops of the anti-crime brigade
The Story of My Wife by Ildiko Enyedi
CANNES 2021: Ildikó Enyedi adapts Milán Füst’s novel for the big screen with aplomb in this story of what can go wrong when jealousy and fear enter a relationship
Tralala by Jean-Marie Larrieu, Arnaud Larrieu
CANNES 2021: Arnaud and Jean-Marie Larrieu deliver an offbeat, side-splitting musical comedy about a roaming musician miraculously reinventing himself in Lourdes
A Hero by Asghar Farhadi
CANNES 2021: Asghar Farhadi makes a satire on how social media is used to win over the court of public opinion in a film made in his signature style, with plenty of unexpected twists and turns
Titane by Julia Ducournau
CANNES 2021: In her mind-blowing uppercut of a movie, Julia Ducournau shows it’s ok to love your car – just remember to use contraception
Lamb by Valdimar Jóhannsson
CANNES 2021: Valdimar Jóhannsson’s film is the kind of Farmageddon that no one could ever have seen coming
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