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7874 film reviews available in total starting from 04/09/2002. Last updated on 05/07/2025. 750 film reviews inserted in the last 12 months.
LATEST
The Rossellinis by Alessandro Rossellini
11/09/2020
VENICE 2020: Shot through with sincerity and irony, Alessandro Rossellini’s debut feature film tells many behind-the-scenes stories about the famous family
A Good Man by Marie-Castille Mention-Schaar
Touching on a very delicate subject, Marie-Castille Mention-Schaar explore with great empathy the desire for children of a trans man incredibly played by Noémie Merlant
The Predators by Pietro Castellitto
VENICE 2020: Pietro Castellitto moves behind the camera with an entertaining comedy tinged with black humour which sees two families from opposing social backgrounds collide
Salvatore: Shoemaker of Dreams by Luca Guadagnino
VENICE 2020: In his new documentary, Luca Guadagnino proves that sometimes you can give a director the right shoes, but he still can’t conquer the world
The Truth About La Dolce Vita by Giuseppe Pedersoli
VENICE 2020: Giuseppe Pedersoli’s debut feature reveals several interesting, behind-the-scenes truths about the production of Fellini’s masterpiece
Laila in Haifa by Amos Gitai
VENICE 2020: Israeli great Amos Gitai crafts a beautiful nocturnal roundelay in an unusual location: a hip bar with an equally Israeli and Palestinian clientele
New Order by Michel Franco
VENICE 2020: Michel Franco makes an audacious, unremitting and brutal critique of inequality and its relationship to violence
My Best Part by Nicolas Maury
Nicolas Maury moves into film direction with panache, delivering a melancholy comedy that’s both funny and moving about an anxious, jealous actor struggling with his uniqueness and discontentment
The Art of Return by Pedro Collantes
10/09/2020
VENICE 2020: The main character in Pedro Collantes’ excellent feature debut experiences the confusion and disorientation that come as part and parcel of a step change
The Flood Won't Come by Marat Sargsyan
VENICE 2020: Armenia’s Marat Sargsyan delivers an intense, distorted and creatively crafted war film, intertwining abuses and metaphysics and set to a tempo punctuated by sequence shots
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