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6948 film reviews available in total starting from 04/09/2002. Last updated on 07/05/2024. 746 film reviews inserted in the last 12 months.
LATEST
Chained by Yaron Shani
10/02/2019
BERLIN 2019: The second instalment in Yaron Shani's "Love Trilogy" is a police thriller that turns into a family drama, with non-professionals in the main roles
Sune vs. Sune by Jon Holmberg
BERLIN 2019: Jon Holmberg's directorial debut is a light-hearted comedy, not dazzling in originality, but full of funny moments, and very well received by the younger audience
Just Don't Think I'll Scream by Frank Beauvais
BERLIN 2019: In his first feature, Frank Beauvais offers up an intimate confession, an illustrated journal of sorts, adorned with an incredible profusion of images borrowed from a myriad of films
All My Loving by Edward Berger
BERLIN 2019: Edward Berger returns to the Berlinale with a subtle drama about adults who are increasingly crushed in their seemingly comfortable lives
Out Stealing Horses by Hans Petter Moland
BERLIN 2019: Norway’s Hans Petter Moland takes on countryman Per Petterson’s much-loved and hard-to-adapt bestseller with beautiful results, thanks to trusty Swede Stellan Skarsgård
The Miracle of the Sargasso Sea by Syllas Tzoumerkas
BERLIN 2019: The long-awaited new film by Syllas Tzoumerkas, exploring issues of identity, belonging, family and missed opportunities, has finally hit the Berlinale Panorama
The Golden Glove by Fatih Akin
BERLIN 2019: Fatih Akin’s new film is expertly made, but it’s also one of the most heinous and gory movies that have ever played in competition at a major film festival
Selfie by Agostino Ferrente
09/02/2019
BERLIN 2019: In full rejection of the romanticism of criminality, Agostino Ferrente directs a documentary about a difficult Neapolitan neighbourhood, shot by its young protagonists on a smartphone
The Ground beneath my Feet by Marie Kreutzer
BERLIN 2019: In her new feature, Austrian filmmaker Marie Kreutzer presents a sober portrait of several women all captured in a modern, competitive social construct
Serpentarius by Carlos Conceição
BERLIN 2019: The debut feature by Carlos Conceição mirrors periods in an unnamed country’s history by means of one man’s journey through an exuberant variety of landscapes and film genres
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