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8127 film reviews available in total starting from 04/09/2002. Last updated on 30/10/2025. 732 film reviews inserted in the last 12 months.
LATEST
Kings of Capitol Hill by Mor Loushy
09/09/2020
Mor Loushy's new documentary, screening in Docaviv's Israeli Competition, explores the story of AIPAC, the main pro-Israeli lobbying group in the USA
Dear Comrades by Andrey Konchalovskiy
VENICE 2020: Andrei Konchalovsky continues his latter-day form with this excellent drama focusing on a popular uprising in Novocherkassk, USSR, and the ensuing massacre
Princesse Europe by Camille Lotteau
VENICE 2020: Following in the wake of Bernard-Henri Levy’s theatre tour, Camille Lotteau goes off on a tangent to deliver an abundant, amusing and intelligent documentary about the concept and the reality of Europe
The Third War by Giovanni Aloi
VENICE 2020: Giovanni Aloi shines a spotlight on the everyday lives of a group of terrorist-hunting soldiers in the middle of a Paris that does not quite feel like the “City of Love”
Sportin' Life by Abel Ferrara
VENICE 2020: Abel Ferrara's new endeavour attempts to be a timely piece, but the final result is chaotic and fails to be incisive
War and Peace by Massimo D’Anolfi, Martina Parenti
08/09/2020
VENICE 2020: Massimo D'Anolfi and Martina Parenti invite us to reflect upon the relationship between cinema and war via the places where images are conserved and restored
Bad Roads by Natalya Vorozhbit
VENICE 2020: Adapted from a stage play, this chilling debut by Natalya Vorozhbit unveils mostly pain and little hope in the war-torn Donbass region
Hunted by Vincent Paronnaud
Vincent Paronnaud devises a primitive fairy tale that’s both slasher film and survival story, delivering a gripping reversal of roles and genres
Una promessa by Gianluca De Serio, Massimiliano De Serio
VENICE 2020: Gianluca and Massimiliano De Serio return to fiction film with a story of fatherly love set in the cruel, illegal world of exploited farm labourers
Zanka Contact by Ismaël El Iraki
VENICE 2020: Ismaël El Iraki’s debut film is a raucous, Casablanca-set tajine western about two lost souls overcoming trauma through love, communication, and rock and roll
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