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8210 film reviews available in total starting from 04/09/2002. Last updated on 17/12/2025. 703 film reviews inserted in the last 12 months.
LATEST
Simon Calls by Marta Sousa Ribeiro
29/09/2020
Marta Sousa Ribeiro’s first full-length feature explores the labyrinth of adolescence, switching up formats to portray the chaos, confusion and yearning of this transitional stage of life
I Never Cry by Piotr Domalewski
28/09/2020
Piotr Domalewski’s second film investigates an experience common to thousands, if not millions, of Poles in a manner that would make Ken Loach proud
Death Knell by Imanol Rayo
Imanol Rayo concocts a heady blend of tragedy and suspense in this oppressive and visually impactful film that aspires to break away from the commercial action thriller
In the Dusk by Šarūnas Bartas
25/09/2020
Sharunas Bartas competes for San Sebastián's Golden Shell with this tale of a Lithuanian partisan movement set in the winter of 1948
Beginning by Dea Kulumbegashvili
In her mesmerising Georgia-set debut film, Dea Kulumbegashvili questions the norms of society that have been informed by Abrahamic religions
Memory House by João Paulo Miranda Maria
João Paulo Miranda Maria’s first full-length film melds past and present, realism and fantasy, to offer a mesmerising symbolic and political immersion into the Brazilian collective subconscious
The People Upstairs by Cesc Gay
Cesc Gay adapts his hit play, where a couple is condemned to an evening’s entertaining with their neighbours from across the hall — soon, small talk becomes the least of their problems
Romantic Guide to Lost Places by Giorgia Farina
24/09/2020
Presented at Venice’s Giornate degli Autori, the third feature film by Giorgia Farina is an unusual road movie which makes its way across Europe
DNA by Maïwenn
Maïwenn returns to her roots by transferring the abundant energy which flows through her films into an intimate, accurate and moving work about grief, family and the transmission of Algerian heritage
Courtroom 3H by Antonio Méndez Esparza
In his first documentary, Antonio Méndez Esparza keeps exposing the realities of life in the United States, this time from a Florida family court — where emotions are always running high
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