Film Reviews

8208 film reviews available in total starting from 04/09/2002. Last updated on 15/12/2025. 704 film reviews inserted in the last 12 months.

Mosquito State by Filip Jan Rymsza

06/09/2020

VENICE 2020: Producer-director Filip Jan Rymsza’s third feature follows a Wall Street analyst infected by a blood-sucking mosquito  

Mosquito State

Mosquito State

The Man Who Sold His Skin by Kaouther Ben Hania

05/09/2020

VENICE 2020: Kaouther Ben Hania weaves a bold, captivating and edifying tale about freedom, where refugees and the contemporary art world collide  

The Man Who Sold His Skin

The Man Who Sold His Skin

I Am Greta by Nathan Grossman

05/09/2020

VENICE 2020: Nathan Grossman offers a genuine, often genial, and more or less real-time portrayal of a very eventful year for a maverick combatant  

Greta

Greta

Padrenostro by Claudio Noce

05/09/2020

VENICE 2020: In his third film, Claudio Noce goes personal, and then gets lost  

Padrenostro

Padrenostro

The Duke by Roger Michell

05/09/2020

VENICE 2020: Roger Michell provides a crowd-pleaser that nevertheless tries to please a bit too hard  

The Duke

The Duke

Final Account by Luke Holland

05/09/2020

VENICE 2020: Luke Holland spent the decade before his own death capturing testimonies from Germans and Austrians who lived through the Third Reich  

Final Account

Final Account

The Whaler Boy by Philipp Yuryev

05/09/2020

VENICE 2020: In Philipp Yuryev’s absorbing debut film, competing in the Giornate degli Autori, an adolescent from the Russian Far East discovers love in an adult chat room and dreams of America  

The Whaler Boy

The Whaler Boy

Gaza mon amour by Arab Nasser, Tarzan Nasser

04/09/2020

VENICE 2020: Relaying the tribulations of an elderly fisherman, brothers Tarzan and Arab Nasser deliver a subtly stripped-back work, painting an ironic picture of the state of play in the Gaza Strip  

Gaza mon amour

Gaza mon amour

The Book of Vision by Carlo Hintermann

04/09/2020

VENICE 2020: The first work by producer and documentarian Carlo Hintermann, collaborated upon by Terrence Malick, packs a highly gratifying visual punch but its story becomes lost in esoteric themes  

The Book of Vision

The Book of Vision

Quo Vadis, Aida? by Jasmila Žbanić

03/09/2020

VENICE 2020: There is no time to catch one’s breath in Jasmila Žbanić’s powerful film, closing in on a teacher-turned-translator for the UN in Srebrenica trying to find her way  

Quo Vadis, Aida?

Quo Vadis, Aida?

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