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7874 film reviews available in total starting from 04/09/2002. Last updated on 04/07/2025. 757 film reviews inserted in the last 12 months.
LATEST
Verdict by Raymund Ribay Gutierrez
19/11/2019
This horrifyingly realistic French-Filipino co-production, written and directed by Raymund Ribay Gutiérrez, portrays a brutal case of domestic abuse and the subsequent, Kafkaesque, trial
Negative Numbers by Uta Beria
18/11/2019
Prison, young people, organised crime and rugby all jostle together in the first feature by Uta Beria, who turns to fiction to decipher the ambivalent power of the group and the system in question
Don't Forget to Breathe by Martin Turk
In his third feature, Martin Turk explores family relations, brotherly love and jealousy among teenagers
Bird Talk by Xawery Zulawski
Xavery Żuławski pens a love-hate letter to his late father and manages to exhaust everyone else in the process
County Lines by Henry Blake
15/11/2019
British director Henry Blake impresses with a realistic, gritty and caustic drama brimming with humanity, an excellent feature debut that leaves us wanting more
Free Country by Christian Alvart
Christian Alvart directs an efficient remake of the Spanish film Marshland, plunging two investigators in the troubled waters of a recently reunified Germany
The Queen of the Lizards by Burnin' Percebes (Juan González & Nando Martínez)
Can romantic comedy, science-fiction, transgression and an absurd sense of humour come together smoothly and harmoniously in a film shot in Super 8? The Burnin’ Percebes duo proves that they can
Carturan by Liviu Săndulescu
14/11/2019
Liviu Săndulescu’s feature debut is a captivating meditation on mortality
On the Names of the Goats by Miguel G. Morales, Silvia Navarro
Using archive material as their starting point, Silvia Navarro Martín and Miguel G Morales question the very identity of the Canary Islands, scrutinising the commonly accepted historical account
Simon's Got a Gift by Léo Karmann
Léo Karmann has opted for magical realism and a labyrinth of mirrors, further distorting multiple identities, in a simple yet astonishing first feature film
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