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8732 film reviews available in total starting from 04/09/2002. Last updated on 26/09/2026. 660 film reviews inserted in the last 12 months.
LATEST
The Idiot(s) by Małgorzata Szumowska, Michał Englert
17/09/2026
Aimee Lou Wood is resplendent as Fyodor Dostoyevsky’s wife, Anna, in a new her-story biopic by Małgorzata Szumowska and Michał Englert
What Lies Between Us by Amalie Næsby Fick
Amalie Næsby Fick cuts deep with a nuanced and highly entertaining psychological thriller threading together a mother’s complicity, disbelief and pursuit of justice
Lemonade by Kim Bartley
Documentarian Kim Bartley’s fiction debut sheds light on the Irish foster-care system with a tender coming-of-age story that sees Barry Keoghan among the cast
Elsinore by Simon Stone
16/09/2026
In Simon Stone’s poignant biopic, Andrew Scott gives an award-worthy performance as an ailing actor playing Hamlet
Where the River Begins by Juan Andrés Arango
Juan Andrés Arango’s film tells the story of a native Emberá woman who, after fleeing paramilitary violence, journeys from Bogotá back toward her rainforest homeland
The Daughters of Abraham by Hanaël El Yousfi
14/09/2026
Hanaël El Yousfi delivers a bold and vibrant, feminist debut feature film about emancipation and the deceptive, ossified boundaries of communitarianism
Guria by Levan Koguashvili
VENICE 2026: Levan Koguashvili stops at nothing to deliver humour – and hazelnuts – in this film showing a world that’s still catching up
The Good Lawyer by Tristan Séguéla
12/09/2026
VENICE 2026: Tristan Séguéla forges a slick flick about a frantic week in the life of a lousy criminal defence lawyer
Until the Day Ends by Jelena Maksimović
VENICE 2026: Jelena Maksimović signs one of the most visually distinctive entries in the Orizzonti sidebar, a semi-allegorical film set amidst Serbia’s ongoing student protests
A Man's Skin by Léa Domenach
VENICE 2026: With her second feature, Léa Domenach ushers audiences into a queer, feminist fairy tale set in the 15th century yet perfectly attuned to the present
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