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7311 film reviews available in total starting from 04/09/2002. Last updated on 22/09/2024. 780 film reviews inserted in the last 12 months.
LATEST
La felicidad de los perros by David Hernández
21/11/2018
David Hernández makes his directorial debut with this portrait of the wanderings of a man in the grip of an existential crisis, filmed in black in white over three years between Galicia and Madrid
Hamada by Eloy Domínguez Serén
With a great soundtrack and lots of humour, Eloy Dominguez Serén’s feature-length debut takes us to the Sahrawi people who live in exile in the Sahara Desert
Zaniki by Gabriel Velázquez
20/11/2018
Gabriel Velázquez’s film is an exploration of oral cultural transmission, portraying the close, respectful, conspiratorial and affectionate relationship between a young boy and his grandfather
Old Boys by Toby MacDonald
British filmmaker Toby MacDonald tackles the topics of “Britishness” and masculinity in his debut feature, a lightweight, comedic take on Cyrano de Bergerac, set in an all-boys boarding school
Never Leave Me by Aida Begić
19/11/2018
In her fourth mosaic-like feature film, Aida Begić follows the lives of young Syrian refugees, all orphans, as they wander the streets of a Turkish city
Rage by Sérgio Tréfaut
18/11/2018
Portuguese director Sérgio Tréfaut sends us backwards through time in this tough, uncompromising story of class struggle
Something Is Happening by Anne Alix
French filmmaker Anne Alix offers us an intimate portrait of two women, seemingly poles apart, whose paths intersect in an ultimately transformative adventure
Cages by Nicolás Pacheco
16/11/2018
The encouraging directorial debut from Seville-born Nicolás Pacheco combines a strong anti-abuse message with polished aesthetics and a splash of Spanish costumbrismo
Land of Hope by Markku Pölönen
Finnish director Markku Pölönen turns back the clock once again with a period drama set between 1945 and 1952 that seems to creak with age but is given a beating heart thanks to Oona Airola
Lada Kamenski by Sara Hribar, Marko Santic
Croatian filmmakers Sara Hribar and Marko Šantić have crafted an engaging movie that comments on the industry and women's position within it, but falls short of its own ambition
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