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8092 film reviews available in total starting from 04/09/2002. Last updated on 11/10/2025. 740 film reviews inserted in the last 12 months.
LATEST
Blue Moon by Richard Linklater
19/02/2025
BERLINALE 2025: Ethan Hawke stars in Richard Linklater's dialogue-heavy grab bag of what he sees as the last great tragedy in the life of US lyricist Lorenz Hart
The Settlement by Mohamed Rashad
BERLINALE 2025: Underprivileged youths from Alexandria strive for a better future in the soft and sensitive narrative debut by Mohamed Rashad
Dreamers by Joy Gharoro-Akpojotor
BERLINALE 2025: Joy Gharoro-Akpojotor’s first feature, about a romance between two black women at a UK immigration detention centre, is a well-intentioned effort that falls flat
Two Times João Liberada by Paula Tomás Marques
BERLINALE 2025: Paula Tomás Marques's debut feature opens the doors to the realm of possibilities as a strong exercise about historical cinematic representation
Mother's Baby by Johanna Moder
BERLINALE 2025: Johanna Moder rustles up an eerie thriller about a mother unable to connect with her newborn, but is not brave enough to push it to the limit
Punching the World by Constanze Klaue
BERLINALE 2025: Constanze Klaue inspects the rise of nationalism and xenophobia in her skilfully directed coming-of-age film
The Thing with Feathers by Dylan Southern
BERLINALE 2025: Benedict Cumberbatch carries newcomer British director Dylan Southern’s stylistically distinct but narratively uneven psychological drama
Canone effimero by Gianluca De Serio, Massimiliano De Serio
18/02/2025
BERLINALE 2025: Gianluca and Massimiliano De Serio explore different musical traditions in various regions of Italy in a lyrical documentary painting a portrait of a forgotten, rural world
The Message by Iván Fund
BERLINALE 2025: Iván Fund crafts a simple but spellbinding tale of the simultaneous loss and preservation of innocence through the travels of a young girl known for communicating with animals
Das Deutsche Volk by Marcin Wierzchowski
BERLINALE 2025: Marcin Wierzchowski’s film is a compelling portrait of a nation in crisis and an unflinching look at the 2020 Hanau attack
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