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8218 film reviews available in total starting from 04/09/2002. Last updated on 20/01/2026. 700 film reviews inserted in the last 12 months.
LATEST
Ever After by Carolina Hellsgård
13/09/2018
TORONTO 2018: Carolina Hellsgård’s zombie-apocalypse movie is an unsuccessful attempt at refreshing a tired genre by mixing in environmental issues
Cities of Last Things by Wi Ding Ho
TORONTO 2018: Malaysian filmmaker Wi Ding Ho competes in the Platform section with an excellent temporal puzzle about three traumatic events experienced by a police officer
Core of the World by Natalia Meshchaninova
SAN SEBASTIÁN 2018: Bordering on magical realism, Natalia Meshchaninova’s new film is a naturally engaging portrait of an unconventional hero, played masterfully by Stepan Devonin
Twin Flower by Laura Luchetti
TORONTO 2018: In her second feature, Italian filmmaker Laura Luchetti combines the tropes of growing up, the refugee crisis and a delicate relationship with remarkable sensitivity
Light as Feathers by Rosanne Pel
12/09/2018
TORONTO 2018: Dutch filmmaker Rosanne Pel has made an impressive debut feature examining manipulative sexual abuse among teenagers from the perpetrator’s point of view
Stupid Young Heart by Selma Vilhunen
TORONTO 2018: Finnish filmmaker Selma Vilhunen delivers a well-crafted teenage drama that aims to address both the social aspect of teenage pregnancy and the rise of the far right in Europe
The Mercy of the Jungle by Joël Karekezi
TORONTO 2018: Joël Karekezi leads his protagonists into an anti-militarist odyssey, revisiting the troubled contemporary history of the Great Lakes region
The Freshmen by Thomas Lilti
Thomas Lilti directs a fresh and intelligent new comedy about the outrageous medical degree selection process, through the portrait of a friendship
We’ll Be Young and Beautiful by Letizia Lamartire
VENICE 2018: Thirty-year-old Letizia Lamartire, the only female Italian director selected for the festival with a feature film, screened her title at the International Film Critics' Week
Retrospekt by Esther Rots
11/09/2018
TORONTO 2018: Dutch director Esther Rots delivers a fragmented, elliptical fairy tale set in the present day, about a hurting heroine who must survive looking back on a traumatic event
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