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8218 film reviews available in total starting from 04/09/2002. Last updated on 19/01/2026. 702 film reviews inserted in the last 12 months.
LATEST
Sextape by Antoine Desrosières
10/05/2018
CANNES 2018: Antoine Desrosières’ radical comedy focuses on the youth of working-class neighbourhoods and the sexual violence of men against women
To the Ends of the World by Guillaume Nicloux
CANNES 2018: Guillaume Nicloux dives headlong into the Indochinese jungle of 1945 with a hypnotic war film, exploring the internal struggle between life and death
Sauvage by Camille Vidal-Naquet
CANNES 2018: Camille Vidal-Naquet immerses us in a world of male prostitution where brutality, freedom of choice and the search for love endlessly collide. This is a film which takes no prisoners
Samouni Road by Stefano Savona
CANNES 2018: Stefano Savona's latest documentary – filmed in the Gaza Strip – is a unique and innovative film that makes use of Simone Massi's lyrical and dramatic animation
Petra by Jaime Rosales
CANNES 2018: Jaime Rosales crafts a sophisticated tragedy with classical undertones, which looms ominously over a rich family of artists tainted by lies, abuse, secrets and cruelty
Yomeddine by A.B. Shawky
CANNES 2018: Propelled into the limelight of the Cannes competition, Egyptian director A.B. Shawky's first film is a simple, luminous and moving road-movie with a focus on social exclusion
The Eyes of Orson Welles by Mark Cousins
CANNES 2018: Through drawings and doodles made by Orson Welles, filmmaker and scholar Mark Cousins gives us an insight into the man and his movies
Donbass by Sergei Loznitsa
09/05/2018
CANNES 2018: Sergei Loznitsa plunges into the heart of the eastern Ukrainian conflict with an impressionist, dark and scathing film – a tragicomedy with absurdist undertones
One Day by Zsófia Szilágyi
CANNES 2018: Zsófia Szilágyi’s first full-length film heaves with tension and a keen sense of realism, following the daily grind of a woman and mother on the verge of breaking down
Loro 2 by Paolo Sorrentino
In his film about Silvio Berlusconi, Paolo Sorrentino appropriates and reinvents the billionaire politician’s entire history
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