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8212 film reviews available in total starting from 04/09/2002. Last updated on 22/12/2025. 699 film reviews inserted in the last 12 months.
LATEST
The Eyes of Orson Welles by Mark Cousins
10/05/2018
CANNES 2018: Through drawings and doodles made by Orson Welles, filmmaker and scholar Mark Cousins gives us an insight into the man and his movies
Donbass by Sergei Loznitsa
09/05/2018
CANNES 2018: Sergei Loznitsa plunges into the heart of the eastern Ukrainian conflict with an impressionist, dark and scathing film – a tragicomedy with absurdist undertones
One Day by Zsófia Szilágyi
CANNES 2018: Zsófia Szilágyi’s first full-length film heaves with tension and a keen sense of realism, following the daily grind of a woman and mother on the verge of breaking down
Loro 2 by Paolo Sorrentino
In his film about Silvio Berlusconi, Paolo Sorrentino appropriates and reinvents the billionaire politician’s entire history
Everybody Knows by Asghar Farhadi
08/05/2018
CANNES 2018: Iranian director Asghar Farhadi’s new film is a highly-skilled Spanish thriller and a disturbingly precise exercise in dredging up past secrets
Birds of Passage by Cristina Gallego, Ciro Guerra
CANNES 2018: Ciro Guerra and Cristina Gallego’s ambitious new film is an ethnographic Shakespearean saga on the origins of drug trafficking in Colombia
The European Grandma Project by Alenka Maly, Hadas Neuman, Fleur Nieddu, Anna Ólafsdóttir, Giorgia Polizzi, Berke Soyuer, Desislava Tsoneva, Maria Tzika, Ekaterina Volkov
03/05/2018
The omnibus documentary, which world-premiered at Crossing Europe, is a poetic 20th-century history book, as narrated by nine grandmothers
The Saint Bernard Syndicate by Mads Brügger
27/04/2018
Mads Brügger's first fiction feature retains his penchant for social provocation, plus his mix of humour and embarrassment, in a culture-clash comedy
The Last Note by Pantelis Voulgaris
The film by Pantelis Voulgaris – about the shooting of 200 Greek partisans during the Nazi occupation in 1944 – focuses on the dignity of men, to ultra-dramatic effects
Obey by Jamie Jones
25/04/2018
Jamie Jones’ debut feature, screening in the International Narrative Competition at Tribeca, has the 2011 London riots as a backdrop
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