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7883 film reviews available in total starting from 04/09/2002. Last updated on 08/07/2025. 753 film reviews inserted in the last 12 months.
LATEST
The Intruder by Leonardo Di Costanzo
23/05/2017
CANNES 2017: Cohesion, rigour and balance are the three pillars of Leonardo Di Costanzo’s second film, offering further proof of skills honed during his career as a documentary filmmaker
The Killing of a Sacred Deer by Yorgos Lanthimos
22/05/2017
CANNES 2017: Yorgos Lanthimos puts Colin Farrell and Nicole Kidman in a perilous situation in a film that is visually very accomplished but severely lacking conceptually
A Violent Life by Thierry de Peretti
CANNES 2017: Thierry de Peretti straddles the dangerous and opaque border between Corsican nationalism and crime with a realist, crepuscular film
Out by György Kristóf
CANNES 2017: Slovak filmmaker György Kristóf unveils his first feature; a film of substantial formal quality that straddles the gap between social realism and absurdist parable
Happy End by Michael Haneke
CANNES 2017: After winning two Palmes d’Or, the Austrian filmmaker is back, in a somewhat icy setting, to working with the more familiar themes of his films before The White Ribbon
Alive in France by Abel Ferrara
CANNES 2017: The "King of New York" plays music from his Bad Lieutenant and other films in Paris and Toulouse, in an intoxicating slice of musical autobiography
Gabriel and the Mountain by Fellipe Barbosa
21/05/2017
CANNES 2017: With the existentialist journey through Africa of a young Brazilian researcher, the very talented Fellipe Gamarano Barbosa delivers a remarkable work of fiction
Tehran Taboo by Ali Soozandeh
CANNES 2017: Ali Soozandeh destroys the facade of the traditional perception of Iranian society with an animated film that uses rotoscoping
Redoubtable by Michel Hazanavicius
CANNES 2017: Michel Hazanavicius has made an extremely inventive, well-honed and off-the-wall film about a crisis-ridden Jean-Luc Godard, as seen through the eyes of his partner
The Square by Ruben Östlund
CANNES 2017: Sweden’s Ruben Östlund finally enters the Competition at Cannes with an incredibly derisive film that turns a temple of civilisation into more of a ridiculous zoo
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