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8044 film reviews available in total starting from 04/09/2002. Last updated on 11/09/2025. 748 film reviews inserted in the last 12 months.
LATEST
Orchestra Class by Rachid Hami
02/09/2017
VENICE 2017: Kad Merad goes full Michelle Pfeiffer in Rachid Hami’s crowd-pleaser, which owes a huge debt to Dangerous Minds, with an added helping of string instruments
Tainted Souls by Matteo Botrugno, Daniele Coluccini
VENICE 2017: Matteo Botrugno and Daniele Coluccini have adapted the Walter Siti novel, crafting a patchwork of lives in the working-class suburbs
Lean on Pete by Andrew Haigh
VENICE 2017: British director Andrew Haigh's latest is an adaptation of a novel by singer and author Willy Vlautin and something of a departure from his previous work
Hunting Season by Natalia Garagiola
VENICE 2017: In her film screening in the Critics’ Week, debutant Argentinian director Natalia Garagiola observes a father-son relationship in need of mutual maturation
Crater by Silvia Luzi, Luca Bellino
VENICE 2017: The first fiction feature film by Silvia Luzi and Luca Bellino tells the story of a Neapolitan father trying to cash in on the musical talent of his adolescent daughter
Longing by Savi Gabizon
01/09/2017
VENICE 2017: Israeli director Savi Gabizon returns after a 14-year hiatus with his new film, an acute and fascinating reflection on paternity and how to smile in the face of death
The Insult by Ziad Doueiri
VENICE 2017: Ziad Doueiri's fourth film is particularly strong when recounting the lack of working rights of refugees in Lebanon and showing that historic communal trauma is a universal phenomenon
Zama by Lucrecia Martel
VENICE 2017: Lucrecia Martel’s new directorial effort is her most baffling and ambitious work to date, tackling Spanish colonial rule in South America in the 18th century
Human Flow by Ai Weiwei
VENICE 2017: Artist Ai Weiwei is in the Venice competition with this documentary shot in 2015 and 2016, uncovering the growing crisis of displaced people across the globe
The Order of Things by Andrea Segre
VENICE 2017: Andrea Segre's film pre-empts the recent Paris Summit on possible solutions to the migrant crisis
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