Film Reviews

8199 film reviews available in total starting from 04/09/2002. Last updated on 01/12/2025. 708 film reviews inserted in the last 12 months.

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After the War by Annarita Zambrano

CANNES 2017: Italian director and Parisienne by adoption Annarita Zambrano tells the story of a former leftist activist who fled to France twenty years ago after being convicted of murder in Italy

Dopo la guerra

Dopo la guerra

Radiance by Naomi Kawase

CANNES 2017: Naomi Kawase’s latest work, once again a co-production with France, is a true gem of a film: a subtle, moving, abstract and emotional exploration of the experience of sensory impairment

Hikari

Hikari

Pure Hearts by Roberto De Paolis

CANNES 2017: With his first piece, young director Roberto De Paolis observes young people from small working-class suburbs, with the same poetry as Claudio Giovannesi’s films

Cuori puri

Cuori puri

Montparnasse Bienvenüe by Léonor Serraille

CANNES 2017: Léonor Serraille unveils a promising feature-length debut with this lively tragicomedy, starring a fabulous Laetitia Dosch

Jeune femme

Jeune femme

Jeannette, the Childhood of Joan of Arc by Bruno Dumont

CANNES 2017: Bruno Dumont raises a laugh while assaulting our eardrums in this pastoral musical comedy based on a play by Charles Péguy

Jeannette, l'enfance de Jeanne d'Arc

Jeannette, l'enfance de Jeanne d'Arc

The Intruder by Leonardo Di Costanzo

CANNES 2017: Cohesion, rigour and balance are the three pillars of Leonardo Di Costanzo’s second film, offering further proof of skills honed during his career as a documentary filmmaker

L'intrusa

L'intrusa

The Killing of a Sacred Deer by Yorgos Lanthimos

CANNES 2017: Yorgos Lanthimos puts Colin Farrell and Nicole Kidman in a perilous situation in a film that is visually very accomplished but severely lacking conceptually

The Killing of a Sacred Deer

The Killing of a Sacred Deer

A Violent Life by Thierry de Peretti

CANNES 2017: Thierry de Peretti straddles the dangerous and opaque border between Corsican nationalism and crime with a realist, crepuscular film

Une vie violente

Une vie violente

Out by György Kristóf

CANNES 2017: Slovak filmmaker György Kristóf unveils his first feature; a film of substantial formal quality that straddles the gap between social realism and absurdist parable

Out

Out

Happy End by Michael Haneke

CANNES 2017: After winning two Palmes d’Or, the Austrian filmmaker is back, in a somewhat icy setting, to working with the more familiar themes of his films before The White Ribbon

Happy End

Happy End

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Cineuropa - the best of european cinema

Cineuropa - the best of european cinema