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8037 film reviews available in total starting from 04/09/2002. Last updated on 09/09/2025. 752 film reviews inserted in the last 12 months.
LATEST
The Other Half of the Sky by Patrik Soergel
25/01/2017
Patrik Soergel presents a surprising and poetic documentary at the Solothurn Film Festival that portrays a different China, complex and often contradictory
Rue de Blamage by Aldo Gugolz
The latest documentary by Aldo Gugolz is a sensitive and brave portrayal of the life of “ordinary” people, between their problems and small yet major victories
Impasse by Elise Shubs
Producer and now filmmaker Elise Shubs, who worked with Lausanne-based company Climage for a long time, presents the world premiere of her first medium-length film at the Solothurn Film Festival
School Life by Neasa Ní Chianáin, David Rane
Neasa Ní Chianáin and David Rane’s documentary, produced by Spain and Ireland, introduces us to an academic institution where the teachers pass on values and ethics to the children
The Good Postman by Tonislav Hristov
24/01/2017
Tonislav Hristov has come up with a heartwarming, relevant and surprisingly universal take on the refugee crisis
Blind Spot by Nabil Ben Yadir
With his third film, Nabil Ben Yadir brings us a by-the-book detective story, a film of cops and yobs set against the backdrop of the rise of populism
The Valley of Salt by Christophe M. Saber
For his debut feature film, which tells the story of how his parents’ lives were threatened, Christophe M. Saber has chosen to use the camera to exorcise his fear
My Happy Family by Nana Ekvtimishvili, Simon Groß
23/01/2017
Duo Nana Ekvtimishvili and Simon Gross are back with a magnificent portrait of a woman in search of freedom, directed with subtle mastery
I Am Truly a Drop of Sun on Earth by Elene Naveriani
Elene Naveriani, a young Georgian director who trained in Switzerland, brings the Solothurn Film Festival a fascinating and radical first film
The Tunnel Gang by Pepón Montero
18/01/2017
Pepón Montero’s feature debut is an unusual ensemble comedy that keeps audiences amused with an intelligent, ironic and dark brand of humour, shying away from cheap jokes
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