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8105 film reviews available in total starting from 04/09/2002. Last updated on 18/10/2025. 739 film reviews inserted in the last 12 months.
LATEST
Summer Lights by Jean-Gabriel Périot
23/09/2016
SAN SEBASTIÁN 2016: France’s Jean-Gabriel Périot explores the bombing of Hiroshima in this delicate, sad story, imbued with poetry and more than a few ghosts
Porto by Gabe Klinger
SAN SEBASTIÁN 2016: Gabe Klinger dissects and reconstructs a romance between two foreigners in the eponymous Portuguese city, drawing on a collection of striking cinematic devices
The Reconquest by Jonás Trueba
SAN SEBASTIÁN 2016: Jonás Trueba’s fourth film is a story populated by his favourite wishful thinkers and romantics, set to music that speaks of days long gone
I’m a Killer by Maciej Pieprzyca
Maciej Pieprzyca, the bright filmmaker behind Life Feels Good, is back at the Gdynia Film Festival with a piece that plunges us into darkness
Playground by Bartosz M. Kowalski
22/09/2016
SAN SEBASTIÁN 2016: The most controversial film of the festival was directed by Poland’s Bartosz M Kowalski and tackles childhood violence in such a raw way that it hurts
A Possible Life by Ivano De Matteo
Ivano De Matteo is back with a story of a family in trouble, but this time he turns his attention to feelings and hope. An Italian-French co-production starring Margherita Buy and Valeria Golino
A Monster Calls by Juan Antonio Bayona
SAN SEBASTIÁN 2016: Juan Antonio Bayona’s third film is a fable populated by fantastic creatures, childish nightmares and deep-seated fears — and a relentless assault on the tear ducts
Flemish Heaven by Peter Monsaert
21/09/2016
SAN SEBASTIÁN 2016: From the hand of Belgian director Peter Monsaert comes this insalubrious incursion into the potentially harrowing consequences of brothel life
Lady Macbeth by William Oldroyd
SAN SEBASTIÁN 2016: A woman rebels against everyone around her (and against her own humanity) in this restrained yet savage period film from British director William Oldroyd
Jesús by Fernando Guzzoni
SAN SEBASTIAN 2016: Having risen to prominence with Dog Flesh, Fernando Guzzoni is back with a dark and bitter film, directed with great skill
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