Film Reviews

7881 film reviews available in total starting from 04/09/2002. Last updated on 07/07/2025. 757 film reviews inserted in the last 12 months.

Fado Camané by Bruno de Almeida

20/10/2014

Bruno de Almeida’s latest film opened DocLisboa's Heart Beat sidebar last Friday  

Fado Camané

Fado Camané

Trash by Stephen Daldry

20/10/2014

Three young boys from the Rio favelas at the heart of a socio-political thriller with an incurably optimistic eco message of peace  

Trash

Trash

To See the Sea by Jiří Mádl

20/10/2014

In his first feature, screened at this year's CinEast Festival, Jirí Madl explores the world of a boy on the cusp of his teenage years  

Pojedeme k mori

Pojedeme k mori

Buoni a nulla by Gianni Di Gregorio

18/10/2014

Gianni Di Gregorio presents his new film, a hilarious and well-constructed comedy on the need to be respected, at the Rome Film Festival  

Buoni a nulla

Buoni a nulla

Last Summer by Leonardo Guerra Seràgnoli

17/10/2014

Leonardo Guerra Seràgnoli directs an original and bold production on the Italian coast that attracted the attention of producers Elda Ferri and Luigi Musini  

Last Summer

Last Summer

We Are Young. We Are Strong. by Burhan Qurbani

17/10/2014

The second feature by German-Afghan director Burhan Qurbani recounts the xenophobic riot of August 1992 in Rostock, East Germany  

Wir sind jung. Wir sind stark.

Wir sind jung. Wir sind stark.

Free Fall by György Pálfi

17/10/2014

After the visually impressive Final Cut: Ladies and Gentlemen, György Pálfi is back with an extravagant new venture  

Szabadesés

Szabadesés

Soap Opera by Alessandro Genovesi

16/10/2014

With the festival’s opening film Alessandro Genovesi experiments with an uncommon way of writing a comedy, staging and directing it, by creating a sort of non-Italian hybrid  

Soap Opera

Soap Opera

Cub by Jonas Govaerts

16/10/2014

Jonas Govaerts’ scout camping trip turns into a full-blown massacre in this horror fest of a debut  

Welp

Welp

Testament of Youth by James Kent

15/10/2014

The film, based on Vera Brittain’s bestselling memoir, is a signal achievement for director James Kent, who makes his feature debut after a long career in television  

Testament of Youth

Testament of Youth

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