Film Reviews

7950 film reviews available in total starting from 04/09/2002. Last updated on 16/08/2025. 755 film reviews inserted in the last 12 months.

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Sieniawka by Marcin Malaszczak

10/02/2013

In Sieniawka, first-time Polish director Marcin Malaszczak crafts a puzzling mix of documentary and fiction, exploring the borders of sanity and mental illness  

No Man's Land by Salomé Lamas

10/02/2013

Salomé Lamas’ documentary focuses on a Portuguese mercenary who speaks about his past and provides a personal, unofficial history of conflicts in various countries and continents  

Lose Your Head by Stefan Westerwelle, Patrick Schuckmann

09/02/2013

Stefan Westerwelle's second fiction feature, Lose Your Head, premiered in the Panorama sidebar of the Berlinale  

I’m Not Dead by Mehdi Ben Attia

09/02/2013

Mehdi Ben Attia’s second feature, I’m Not Dead, premiered in Berlinale’s Forum section  

Paradise: Hope by Ulrich Seidl

09/02/2013

Berlinale: The third part of the Paradise trilogy by Ulrich Seidl is presented, like the first two, at a major European festival  

The Plague by Neus Ballús

08/02/2013

The first feature film from Spanish director Neus Ballús, The Plague combines the stories of five individuals into an admirably coherent whole  

Studio illegale by Umberto Carteni

06/02/2013

In Studio illegale, coming out tomorrow in 350 movie theatres with Warner, the actor plays an ambitious lawyer in an international law firm, who falls head over heels in love with his French colleague  

Circles by Srdan Golubović

06/02/2013

Serbian director Srdan Golubovic returns with a strong, complicated story which explores the consequences of a real-life heroic act.  

Krugovi

Krugovi

In the Name of by Małgorzata Szumowska

05/02/2013

Beyond the taboo subject of homosexuality in the Church, addressed through the tormented life of a priest, Malgorzata Szumowska paints a scathing portrait of a small provincial community in Poland.  

W imię...

W imię...

Yesterday Never Ends by Isabel Coixet

05/02/2013

In every single way: socially and personally. Two standalone characters find themselves in this situation in a brave, audacious and very painful film on the terrible moment we are going through.  

Ayer no termina nunca

Ayer no termina nunca
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