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8121 film reviews available in total starting from 04/09/2002. Last updated on 24/10/2025. 739 film reviews inserted in the last 12 months.
LATEST
Camille Rewinds by Noémie Lvovsky
26/05/2012
The Directors’ Fortnight closed with Camille Rewinds, a tender and very funny film that catapults its delighted audience into the fluorescent, old school, basically brilliant, world of the 1980s.
Renoir by Gilles Bourdos
25/05/2012
Art and love in 1915, when a young woman meets painter Auguste Renoir towards the end of his life, and his son, future great filmmaker Jean
7 days in Havana by Laurent Cantet, Benicio Del Toro, Julio Medem, Gaspar Noé, Elia Suleiman, Juan Carlos Tabío, Pablo Trapero
Seven directors with seven different points of view each spend a day in the Cuban capital to take us on an initiatory journey that gives off a great air of unison.
Cosmopolis by David Cronenberg
David Cronenberg delivers an obscure, hypnotic tale about the financial crisis and the end of a world in chaos.
Three Worlds by Catherine Corsini
24/05/2012
A hard-hitting film noir by Catherine Corsini about guilt and a spiral of lies against a backdrop of a corrupt society.
Post Tenebras Lux by Carlos Reygadas
A poisonous dive into an almighty natural environment where human beings are powerless in the grip of evil. A chaotic work by Carlos Reygadas.
On the Road by Walter Salles
23/05/2012
Brazilian director Walter Salles has adapted no less than a landmark in counterculture literature for his latest road movie, in the vein of his previous film Motorcycle Diaries.
Maddened by his Absence by Sandrine Bonnaire
In her first fiction film, actress Sandrine Bonnaire directs William Hurt as a father maddened by his child’s death and unable to accept that he is no longer someone’s father.
Sofia's Last Ambulance by Ilian Metev
Bulgarian director Ilian Metev’s documentary feature debut Sofia’s Last Ambulance follows a three-person medical team as it goes taking care of emergencies around Bulgaria’s capital over a 48-hour shift
Holy Motors by Leos Carax
French cinema’s enfant terrible is back with a visually exceptional, metaphorical film of dizzying heights and delirious depths.
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