Film Reviews

8217 film reviews available in total starting from 04/09/2002. Last updated on 13/01/2026. 704 film reviews inserted in the last 12 months.

Do Not Disturb by Yvan Attal

14/09/2012

Yvan Attal's remake of Lynn Shelton's Humpday, an amusing comedy about friendship and sexuality, has premiered in Toronto.  

Just The Wind by Bence Fliegauf

10/09/2012

A rural thriller set against a backdrop of racism in which a Gypsy family from the great plains is being pursued by killers. Jury Grand Prix at the Berlinale and finalist for the LUX Prize 2012.  

Csak a szél

Csak a szél

Crawl by Hervé Lasgouttes

08/09/2012

Hervé Lasgouttes’ debut film earned him the Europa Cinemas Label for best European film during Venice Days  

Passion by Brian De Palma

07/09/2012

Brian De Palma's colourful film noir entices the audience into a world of dark games and manipulation  

Keep Smiling by Rusudan Chkonia

07/09/2012

Georgia’s Rusudan Chkonia’s debut film, coproduced between France and Luxemburg, tells the story of a beauty pageant for young mothers with a flat and a lot of money as first prize  

Un giorno speciale by Francesca Comencini

07/09/2012

Based on the novel by the same day of actor, director and screenwriter Claudio Bigagli, Un giorno special by Francesca Comencini is the third Italian film in competition in Venice  

Inheritance by Hiam Abbass

06/09/2012

Actress Hiam Abbass turns to directing and paints the portrait of a Palestinian family in Israel torn between tradition and modernity  

Dormant Beauty by Marco Bellocchio

05/09/2012

Anticipating great controversy and igniting debates long before it has even been seen, Marco Bellocchio’s latest film has been presented at the Venice Film Festival.  

Bella addormentata

Bella addormentata

The Triplet by Vincenzo Marra

05/09/2012

Fourth installment of an investigation into the places that define Naples - a new documentary film by the Neapolitan director is based out of Secondigliano prison  

Looking For Hortense by Pascal Bonitzer

05/09/2012

Pascal Bonitzer's sixth film as a director has brought a lighter note to the 69th Venice Film Festival's sometimes quite dark selection  

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