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6948 film reviews available in total starting from 04/09/2002. Last updated on 07/05/2024. 746 film reviews inserted in the last 12 months.
LATEST
In The Blind Spot by Ayse Polat
22/02/2023
BERLINALE 2023: Ayşe Polat's mystery-thriller weaves together numerous themes in a Rashomon-style narrative but wraps up proceedings too tidily for its own good
Silver Haze by Sacha Polak
BERLINALE 2023: Dutch filmmaker Sacha Polak reunites with Vicky Knight, the lead actress from Dirty God, in this romantic tale derived partly from the latter’s life
My Worst Enemy by Mehran Tamadon
BERLINALE 2023: In his second Berlin-screened documentary about perpetrators and victims of torture at the hands of the Iranian regime, Mehran Tamadon is interrogated by actress Zar Amir Ebrahimi
Golda by Guy Nattiv
BERLINALE 2023: Guy Nattiv’s elegantly directed biopic owes much of its quality to Helen Mirren’s staggering portrayal of Israel’s first female prime minister
Music by Angela Schanelec
BERLINALE 2023: Angela Schanelec uses her trademark style to retell the Oedipus myth, but whether the experience is worth the energy and concentration it requires is debatable
The Plough by Philippe Garrel
21/02/2023
BERLINALE 2023: Philippe Garrel finds a bit of colour and refines his stripped-back, reflective and novelistic art even further by passing it through a softer family filter
Cidade Rabat by Susana Nobre
BERLINALE 2023: Chronicling the process of grief and soul-searching, alas Susana Nobre’s film can never truly unleash its full potential
This Is the End by Vincent Dieutre
BERLINALE 2023: Vincent Dieutre offers up an elegiac essay on a European from the last century in the pandemic-ridden “Big Nowhere” of Los Angeles
Do You Love Me? by Tonia Noyabrova
BERLINALE 2023: In her second feature, Ukrainian director Tonya Noyabrova immerses us in the world of a teenager growing up in Kyiv a year before the dissolution of the Soviet Union
Perpetrator by Jennifer Reeder
BERLINALE 2023: Jennifer Reeder's new feminist horror treads the uncertain path between seriousness and campiness, but its atmospheric power and affirmative message are undeniable
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