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7849 film reviews available in total starting from 04/09/2002. Last updated on 14/06/2025. 783 film reviews inserted in the last 12 months.
LATEST
Case 137 by Dominik Moll
16/05/2025
CANNES 2025: Dominik Moll takes on France’s dirty secrets – and its famed “almost revolution” – ending up with something uncomfortably universal
The Mysterious Gaze of the Flamingo by Diego Céspedes
15/05/2025
CANNES 2025: The desert puts on its gala clothes in Diego Céspedes' first feature, a queer film in which desire, love and death intertwine in a baroque spectacle tinged with a western atmosphere
The Girl in the Snow by Louise Hémon
CANNES 2025: Set in 1900 in a tiny, very isolated mountain hamlet in the middle of winter, Louise Hémon's first feature film is highly original and atmospheric
Death Does Not Exist by Félix Dufour-Laperrière
CANNES 2025: Félix Dufour-Laperrière’s fantasy animation follows a band of young revolutionaries aiming to overturn both the elite and mortality itself
Two Prosecutors by Sergei Loznitsa
CANNES 2025: Sergei Loznitsa returns to fiction with a relentless, masterfully staged tale of communist justice at the height of Stalinist terror
Promised Sky by Erige Sehiri
14/05/2025
CANNES 2025: Erige Sehiri wins viewers over with an incredibly human film, placing focus on three women from sub-Saharan Africa living in Tunis and developing a growing awareness of the world
Endless by Umberto Contarello
Umberto Contarello’s fiction debut is a melancholy autobiographical tale exuding the humour and moods of Paolo Sorrentino’s films, who co-wrote and produced the movie
Paternal Leave by Alissa Jung
Alissa Jung’s debut film sidesteps rhetoric but is too hesitant when exploring the relationship between a teenage girl and the father she never knew, played by Luca Marinelli
Reedland by Sven Bresser
CANNES 2025: Sven Bresser makes a haunting and disturbing film about an old reed cutter obsessed with solving a murder mystery
Adam's Sake by Laura Wandel
CANNES 2025: After her highly acclaimed debut feature, Laura Wandel has made a name for herself with this visceral portrait of a nurse struggling against the powerlessness of the institution
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