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Once again this year, Europa Cinemas, the LUX Audience Award and the Giornate degli Autori are inviting 27 young filmgoers to participate in their initiative during the Venice Film Festival
19/05 | Venice 2022
"I try to see as much as I can"
In the second episode of our new short video series from this year's Cannes Film Festival, Elena Lazic talks to freelance journalist Teresa Vena
19/05 | Meet Cineuropa/Cannes 2022
CANNES 2022: A young Tunisian man strives for a better life than selling contraband petroleum on the streets, in Lofty Nathan’s debut feature
19/05 | Cannes 2022 | Un Certain Regard
The new feature by Spanish director Ainara Vera, who made her name as the editor of Viktor Kossakovskiy’s Gunda and Aquarela, is a French-Greenlandic documentary
19/05 | Cannes 2022 | ACID
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Market Trends – 17/05/2022“Fight for your rights, and your crazy ideas,” say young creators at the latest SAA eventYoung audiovisual authors are demanding fair compensation from streamers, and are finding CMOs helpful when pursuing their work and maintaining their artistic freedom
Distribution, Exhibition and StreamingFOCUSAfter two years of the pandemic, the industry is gradually transitioning back to normality, with Cannes and its Marché du Film now in sight. While keeping a close eye on the tragic war unfolding in Ukraine and its effects on the audiovisual industry, Cineuropa continues to provide extensive coverage of the European film business and its most recent developments.
Green Industry Initiatives and Sustainability – 17/05/2022Wallimage: An ECOsystem at the service of the audiovisual industryThe Belgian fund has implemented action aimed at reducing the environmental impact of audiovisual production
European Film Schools – 17/05/2022Educational initiative “Exploring, Cinéma, cent ans de jeunesse!” set to become an Erasmus+ projectFor over 25 years, the project has been committed to uniting children and youngsters from many different countries through their love for cinema
Produce – Co-Produce... – 16/05/202212 European film funds join forces for Ukrainian Films NowThe fundraising and networking event will unspool at Cannes and aims to back Ukrainian films currently in post-production
Distribution, Exhibition and Streaming – 13/05/2022Gaetano Maiorino • Sales agent, True ColoursWe take a closer look at the work carried out by the Roman sales agency, which has established itself as a crucial reference point in the Italian and European landscape since 2016
Distribution, Exhibition and Streaming – 13/05/20222021 saw limited recovery of EU and UK theatrical markets, with attendance up 31.5% on 2020The European Audiovisual Observatory has published its latest figures on cinemagoing, which reveal a 58% drop compared to pre-pandemic levels
Distribution, Exhibition and Streaming – 12/05/2022Movio finds blockbusters are attracting UK cinemagoers to cinemas, but providing a diversified offering remains essentialThe study highlights the huge appetite for diverse content and how certain key demographics remain underserved by the British market
CANNES 2022: Philippe Faucon’s humble mastery of cinematographic pithiness puts under the microscope the cruel page of history of local soldiers engaged on the French side during the Algerian war
19/05 | Cannes 2022 | Directors’ Fortnight
CANNES 2022: Lola Quivoron makes a powerful debut with an original first feature film packed full of ultra-rugged, female-style, wild energy, and set on the fringes of the motocross world
CANNES 2022: It’s a bad day to be good in Mikko Myllylahti’s haunting, cruel Finnish fairy tale
19/05 | Cannes 2022 | Critics’ Week
28/04/2022Episode 28: The Open Body (Spain/Portugal)The producers of Ángeles Huerta's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support
08/04/2022Episode 27: Ordinary Failures (Czech Republic/Hungary/Italy)The producers of Cristina Grosan's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support
08/03/2022Episode 26: A Cup of Coffee and New Shoes On (Albania/Greece/Kosovo/Portugal)The producers of Gentian Koçi's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support
22/02/2022Episode 25: Strandzha (Germany/Bulgaria)The producers of Hristova Pepa's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support
17/02/2022Episode 24: The Editorial Office (Ukraine/Germany)The producers of Roman Bondarchuk's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support
20/12/2021Episode 23: Captain Volkonogov Escaped (Russia/Estonia/France)The producers of Natasha Merkulova and Aleksey Chupov's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support
17/12/2021Episode 22: Queens (France/Belgium/ Morocco/Netherlands)The producers of Yasmine Benkiran's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support
16/12/2021Episode 21: My Fairy Troublemaker (Luxembourg/Germany)The producers of Caroline Origer's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support
CANNES 2022: Kirill Serebrennikov gives us a disturbing read on the marriage of the venerated 19th-century Russian composer and his devoted spouse, Antonina Miliukova
19/05 | Cannes 2022 | Competition
CANNES 2022: What is friendship? What is nature? Felix Van Groeningen and Charlotte Vandermeersch craft a sweepingly romantic film of great visual scope which touches on the essential
“It seems that, at least industry-wise, things are finally getting back to normal”
In the first episode of our new short video series from this year's Cannes Film Festival, Elena Lazic talks to Cineuropa journalist Davide Abbatescianni
18/05 | Meet Cineuropa/Cannes 2022
CANNES 2022: Making his debut in the world of series, Marco Bellocchio looks back at the Moro Case with a more humane eye and without the ferocity of the past
18/05 | Cannes 2022 | Cannes Première
19/05/2022Cannes 2022 – Photogalleries[imgg 425627] [imgg 425626]
12/02/2022European Shooting Stars 2022 – PhotogalleryThe Shooting Stars are back at the Berlinale! Discover this year's ten emerging European talents who will be presented to the international press, the industry and the public in an exclusive hybrid programme organised by the German festival
10/02/2022Berlinale 2022 – PhotogalleriesAfter unspooling virtually owing to the pandemic crisis last year, the Berlinale is now back to its physical format from 10-20 February. Discover the festival highlights in our exclusive photogalleries
02/12/2021Cinémamed 2021 – PhotogalleriesOrganised from 2-12 December, the Mediterranean Brussels film festival is back to its physical format and ready to celebrate the best European and Mediterranean films. Among the directors presented, Marco Bellocchio, Nabil Ayouch, Antoneta Alamat Kusijanović, Clara Roquet, Tony Gatlif, Jonas Carpignano and many others. Check out our photogalleries here
13/11/2021Black Nights 2021 – PhotogalleriesOne of the most prestigious gatherings of the Nordic-Baltic region, the Tallinn Black Nights Film Festival is set to brighten the dark Estonian winter from 12-28 November with a raft of new independent titles and a rich line-up of industry events. Discover this year’s festival highlights in our exclusive photogalleries
09/11/2021Lecce 2021 – PhotogalleryUnspooling from 6-13 November, Lecce European Film Festival is finally back to its physical format and ready to celebrate the best European titles of the year. Check out our photogalleries here
23/10/2021Cinemed 2021 – PhotogalleryOne of the most important showcases of Mediterranean cinema, the 43rd edition of Montpellier's Cinemed ran from 15-23 October. Discover this year's festival highlights in our exclusive photogallery
17/10/2021Rome 2021 – PhotogalleriesThe 16th edition of Rome Film Fest, running from 14-24 October, presented 23 new titles in its main competition. Discover our exclusive photogalleries from some of this year's red carpets
CANNES 2022: The Marché du Film gets off to a flying start for Wild Bunch, mk2 Films and Kinology
18/05 | Cannes 2022 | Marché du Film
The Copenhagen-based company is bringing a varied selection of projects to France, from horror movies to Erik Poppe’s The Emigrants
The UK sales agent has also boarded Stefano Mordini’s rally drama 2 Win and Uberto Pasolini’s The Odyssey-inspired The Return
The Eight Mountainsby Felix van Groeningen, Charlotte VandermeerschCANNES 2022: What is friendship? What is nature? Felix Van Groeningen and Charlotte Vandermeersch craft a sweepingly romantic film of great visual scope which touches on the essential
Tchaikovsky's Wifeby Kirill SerebrennikovCANNES 2022: Kirill Serebrennikov gives us a disturbing read on the marriage of the venerated 19th-century Russian composer and his devoted spouse, Antonina Miliukova
Rodéoby Lola QuivoronCANNES 2022: Lola Quivoron makes a powerful debut with an original first feature film packed full of ultra-rugged, female-style, wild energy, and set on the fringes of the motocross world
The Woodcutter Storyby Mikko MyllylahtiCANNES 2022: It’s a bad day to be good in Mikko Myllylahti’s haunting, cruel Finnish fairy tale
Harkisby Philippe FauconCANNES 2022: Philippe Faucon’s humble mastery of cinematographic pithiness puts under the microscope the cruel page of history of local soldiers engaged on the French side during the Algerian war
Exterior Nightby Marco BellocchioCANNES 2022: Making his debut in the world of series, Marco Bellocchio looks back at the Moro Case with a more humane eye and without the ferocity of the past
Scarletby Pietro MarcelloCANNES 2022: Italian filmmaker Pietro Marcello kneads and chisels a multiform material entangling realism and storytelling, the thickness of destinies and the world's imaginative fulgurance
Harkaby Lofty NathanCANNES 2022: A young Tunisian man strives for a better life than selling contraband petroleum on the streets, in Lofty Nathan’s debut feature
CANNES 2022: Italian filmmaker Pietro Marcello kneads and chisels a multiform material entangling realism and storytelling, the thickness of destinies and the world's imaginative fulgurance
18/05 | Films | Reviews | Cannes 2022 - Directors’ Fortnight
CANNES 2022: Michel Hazanavicius offers up a hilarious and high cinephile-value diversion in the form of a multidimensional comedy unfolding on the set of a zombie film
17/05 | Cannes 2022 | Out of Competition
"We had no intention of creating a generational portrait"
With their first feature film, of hybrid genre and the final project of their studies at ECAM, they have been selected at the Malaga Film Festival and Auteur Film Festival in Barcelona
17/05 | D’A 2022
Paolo Moretti • Artistic director, Directors’ FortnightThe artistic director of Cannes’ Directors’ Fortnight explains the choices made in the 2022 selection and describes his take on the parallel section’s philosophy
Rufat Hasanov • Head of the Audiovisual and Interactive Media Department, Ministry for Culture of the Republic of AzerbaijanWe chatted to the acclaimed, award-winning filmmaker, who also works at the country’s Ministry for Culture, about the founding of the Cinema Agency of the Republic of Azerbaijan in late April
Kerem Ayan Deputy Director at Istanbul Film FestivalSuccesful Film Festival starts from the the programming
Mario Alejandro Arias, Gabriela Alonso and Nicolás Martín • Directors of To Have TimeWith their first feature film, of hybrid genre and the final project of their studies at ECAM, they have been selected at the Malaga Film Festival and Auteur Film Festival in Barcelona
Milko Lazarov • Head, Union of Bulgarian FilmmakersThree years into the job, the head honcho of the Union of Bulgarian Filmmakers gives us his take on the importance of the union’s annual awards and their significance to the local industry
Vladimír Lhoták • Producer, Hausboot ProductionAlready named Producer of the Year at Cartoon for making the biggest and most expensive stop-motion project in Czech history, the producer talks to us about his work across documentary and animation
Ioanna Bolomyti • Producer, Atalante ProductionsThe Greek producer told us about her upcoming projects and her view on her national film industry
Marija Dimitrova • Producer, List ProductionMacedonian Producer on the Move tells us about making her first feature film, the Karlovy Vary prize-winning Sisterhood, and juggling several projects at the same time
Actress Loreto Mauleón toplines this black-and-white romantic drama, which unfolds in San Sebastián
17/05 | Production | Funding | Spain
Young audiovisual authors are demanding fair compensation from streamers, and are finding CMOs helpful when pursuing their work and maintaining their artistic freedom
17/05 | Industry | Market | Europe
The Belgian fund has implemented action aimed at reducing the environmental impact of audiovisual production
17/05 | Sponsored
Corsageby Marie KreutzerCannes 2022 - Un Certain Regard
Alma Vivaby Cristèle Alves MeiraCannes 2022 - Critics' Week
Rodéoby Lola QuivoronCannes 2022 - Un Certain Regard
The Woodcutter Storyby Mikko MyllylahtiCannes 2022 - Critics' Week
Brother and Sisterby Arnaud DesplechinCannes 2022 - Competition
Tchaikovsky's Wifeby Kirill SerebrennikovCannes 2022 - Competition
Plan 75by Chie HayakawaCannes 2022 - Un Certain Regard
R.M.N.by Cristian MungiuCannes 2022 - Competition
A full battalion of French sales agents including Coproduction Office (who are wielding Ruben Östlund in competition), Kinology, Gaumont, Pathé and Orange Studio, are taking over the festival
17/05 | Cannes 2022 | Marché du Film
For over 25 years, the project has been committed to uniting children and youngsters from many different countries through their love for cinema
17/05 | Film Literacy | Germany/France/Bulgaria/Portugal
Paris-based sales agent Celluloid Dreams has boarded the Ukrainian director’s upcoming movie, which comes on the heels of My Thoughts Are Silent
17/05 | Production | Funding | Ukraine
Final Cutby Michel HazanaviciusCANNES 2022: Michel Hazanavicius offers up a hilarious and high cinephile-value diversion in the form of a multidimensional comedy unfolding on the set of a zombie film
How to Save a Dead Friendby Marusya SyroechkovskayaRaw and moving, Marusya Syroechkovskaya's documentary describes growing up in 21st-century Russia, but is so intimate and honest that it would probably work just as well in a vacuum
Unfinished Affairsby Juan Miguel del CastilloTragedy pervades Juan Miguel del Castillo's second feature film, in which he condemns violence by portraying the psychological damage it leaves on its victims and those close to them
Songs About Loveby Tomasz HabowskiThe debut feature by Polish helmer Tomasz Habowski is tender and poetic – just like every love song should be
Il posto – A Steady Jobby Mattia Colombo, Gianluca MatarreseMattia Colombo and Gianluca Matarrese’s documentary is a tiny film about a tiny dream, homing in on Italian nurses in search of stable employment
Market Trends – 17/05/2022
Green Industry Initiatives and Sustainability – 17/05/2022
European Film Schools – 17/05/2022
Produce – Co-Produce... – 16/05/2022
The fundraising and networking event will unspool at Cannes and aims to back Ukrainian films currently in post-production
Cannes 2022 – Un Certain Regard - 19/05/2022
Cannes 2022 – Directors’ Fortnight - 19/05/2022
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