Meet Cineuropa @ #Cannes2022 - Take 6

Meet Cineuropa @ #Cannes2022 - Take 6

"I'm not one of the people bashing Crimes of the Future because they expected more blood; when I go to the theatre, I expect to see a good story"

In the sixth episode of our new short video series from this year's Cannes Film Festival, Elena Lazic catches up once again with Cineuropa journalist Davide Abbatescianni  

24/05 | Meet Cineuropa/Cannes 2022

Review: Mediterranean Fever

Review: Mediterranean Fever

CANNES 2022: Maha Haj's unlikely buddy-buddy movie is a delightful comedy about depression  

25/05 | Cannes 2022 | Un Certain Regard

Review: The Mountain

Review: The Mountain

CANNES 2022: The remarkable Thomas Salvador delivers a more than astonishing work on the journey to the paranormal of man who turns his back to society to recharge in the mountains  

25/05 | Cannes 2022 | Directors’ Fortnight

Pietro Marcello • Director of Scarlet

Interview: Pietro Marcello • Director of Scarlet

"For me cinema is a family"

CANNES 2022: The Italian director discusses the cast and the challenges of making his first French-language film, as well as the topics it tackles, such as gender  

25/05 | Cannes 2022 | Directors' Fortnight

Co-funded by the European Union - Creative Europe MEDIA
Ukraine

Industry Reports

Green Industry Initiatives and Sustainability - At the Marché du Film, panellists discuss the Green Charter and their work on making film festivals more sustainable - 21/05/2022

Green Industry Initiatives and Sustainability – 21/05/2022
At the Marché du Film, panellists discuss the Green Charter and their work on making film festivals more sustainable
CANNES 2022: Reducing waste, preserving nature and going paper-free are only some of the strategies being put in place to protect the environment

Distribution, Exhibition and Streaming
FOCUS
After two years of the pandemic, the industry is gradually transitioning back to normality, with Cannes and its Marché du Film now in sight. While keeping a close eye on the tragic war unfolding in Ukraine and its effects on the audiovisual industry, Cineuropa continues to provide extensive coverage of the European film business and its most recent developments.

Market Trends - The CNC is to throw its weight behind studios and training - 25/05/2022

Market Trends – 25/05/2022
The CNC is to throw its weight behind studios and training
CANNES 2022: The "France 2030" call for projects is intended to foster the creation and modernisation of film studios and the development of training across the entire country

Produce – Co-Produce... - What future awaits film financing? The panellists at Cannes Next have their say - 24/05/2022

Produce – Co-Produce... – 24/05/2022
What future awaits film financing? The panellists at Cannes Next have their say
CANNES 2022: Following the announcement of MediaInvest, the event covered new financing models such as the blockchain-based Decentralized Pictures and XYZ Films’ “transatlantic model”

New Media - The wins of real-time technologies take centre stage at Cannes Next - 24/05/2022

New Media – 24/05/2022
The wins of real-time technologies take centre stage at Cannes Next
CANNES 2022: Real-time tech through Unreal Engine has the potential to improve a team’s creative work and communication while saving time and money

Distribution, Exhibition and Streaming - Netflix attends a round table on French film negotiations - 23/05/2022

Distribution, Exhibition and Streaming – 23/05/2022
Netflix attends a round table on French film negotiations
CANNES 2022: The debate organised by the CNC highlighted the desire of industry professionals to continue negotiations so as to adapt to the growing change in the filmmaking business

European Policy - MediaInvest set to support European producers - 21/05/2022

European Policy – 21/05/2022
MediaInvest set to support European producers
CANNES 2022: The European Commission has announced a new fund destined for audiovisual producers, endowed with a budget of €400 million for the period 2022-2027

New Media - At Cannes, experts assess the potential of Europe as a global leader in virtual production - 20/05/2022

New Media – 20/05/2022
At Cannes, experts assess the potential of Europe as a global leader in virtual production
CANNES 2022: The benefits of virtual production and other new, state-of-the art tech will make filmmakers’ lives easier, but they are also set to change a significant part of the production workflow

Lise Akoka and Romane Gueret • Directors of The Worst Ones

Interview: Lise Akoka and Romane Gueret • Directors of The Worst Ones

"We mostly wanted to talk about the meeting of these two very different worlds"

CANNES 2022: The filmmaking duo explain their intentions for their first feature film which homes in on children, and their work with young people  

25/05 | Cannes 2022 | Un Certain Regard

Review: Nostalgia

Review: Nostalgia

CANNES 2022: Mario Martone introduces another quadrant to Naples’ film map by way of a movie about the need to repair our physical distance from others  

25/05 | Cannes 2022 | Competition

Maksym Nakonechnyi • Director of Butterfly Vision

Interview: Maksym Nakonechnyi • Director of Butterfly Vision

“We realised that the butterfly would be our entry point into the metaphysical and the subconscious”

CANNES 2022: The Ukrainian director gives us the low-down on his harsh and timely testimony to the women fighting for their integrity, their freedom and their future in his home country  

25/05 | Cannes 2022 | Un Certain Regard

Discover Moonday

Co-Production Podcast

Episode 28: The Open Body (Spain/Portugal) - 28/04/2022

28/04/2022
Episode 28: The Open Body (Spain/Portugal)
The producers of Ángeles Huerta's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

Episode 27: Ordinary Failures (Czech Republic/Hungary/Italy) - 08/04/2022

08/04/2022
Episode 27: Ordinary Failures (Czech Republic/Hungary/Italy)
The producers of Cristina Grosan's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

Episode 26: A Cup of Coffee and New Shoes On (Albania/Greece/Kosovo/Portugal) - 08/03/2022

08/03/2022
Episode 26: A Cup of Coffee and New Shoes On (Albania/Greece/Kosovo/Portugal)
The producers of Gentian Koçi's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

Episode 25: Strandzha (Germany/Bulgaria) - 22/02/2022

22/02/2022
Episode 25: Strandzha (Germany/Bulgaria)
The producers of Hristova Pepa's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

Episode 24: The Editorial Office (Ukraine/Germany) - 17/02/2022

17/02/2022
Episode 24: The Editorial Office (Ukraine/Germany)
The producers of Roman Bondarchuk's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

Episode 23: Captain Volkonogov Escaped (Russia/Estonia/France) - 20/12/2021

20/12/2021
Episode 23: Captain Volkonogov Escaped (Russia/Estonia/France)
The producers of Natasha Merkulova and Aleksey Chupov's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

Episode 22: Queens (France/Belgium/ Morocco/Netherlands) - 17/12/2021

17/12/2021
Episode 22: Queens (France/Belgium/ Morocco/Netherlands)
The producers of Yasmine Benkiran's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

Episode 21: My Fairy Troublemaker (Luxembourg/Germany) - 16/12/2021

16/12/2021
Episode 21: My Fairy Troublemaker (Luxembourg/Germany)
The producers of Caroline Origer's film are invited to speak about their collaboration and the financing of their film, which has received Eurimages support

The Roma Lazio Film Commission and the Italian Film Commissions have made new commitments to the Ukraine, the UK and Israel

The Roma Lazio Film Commission and the Italian Film Commissions have made new commitments to the Ukraine, the UK and Israel

CANNES 2022: The regional body has promised to host Ukrainian talent and presented the 2nd Crossing Script, whilst the national association has signed a memorandum with the British Film Commission  

25/05 | Industry | Market | Italy/Ukraine/UK/Israel

Review: Paris Memories

Review: Paris Memories

CANNES 2022: Alice Winocour delves into the aftermath of a Paris terrorist attack and its hidden “diamonds”  

25/05 | Cannes 2022 | Directors’ Fortnight

The Zlín Film Festival brings hope for brighter days to adolescents

The Zlín Film Festival brings hope for brighter days to adolescents

Inspirational teen movies are about to lock horns in the international competition of the major festival for children and youth  

25/05 | Festivals | Awards | Czech Republic

Amandine Fredon and Benjamin Massoubre • Directors of Little Nicholas - Happy As Can Be

Interview: Amandine Fredon and Benjamin Massoubre • Directors of Little Nicholas - Happy As Can Be

"This is an ode to the joys of childhood, to the ability to play and to grow, to the wonders of storytelling and the ease of the child’s gaze"

CANNES 2022: The universe of the classic French children’s book gets a tender love letter with this film  

25/05 | Cannes 2022 | Special Screenings

Photogalleries

Cannes 2022 – Photogalleries - 19/05/2022

19/05/2022
Cannes 2022 – Photogalleries
After two difficult years, the international film industry is finally back on the Croisette for a new, crowded edition of the Cannes Film Festival and its Marché du Film, unspooling from 17-28 May. Discover the festival highlights in our exclusive photo galleries

European Shooting Stars 2022 – Photogallery - 12/02/2022

12/02/2022
European Shooting Stars 2022 – Photogallery
The Shooting Stars are back at the Berlinale! Discover this year's ten emerging European talents who will be presented to the international press, the industry and the public in an exclusive hybrid programme organised by the German festival

Berlinale 2022 – Photogalleries - 10/02/2022

10/02/2022
Berlinale 2022 – Photogalleries
After unspooling virtually owing to the pandemic crisis last year, the Berlinale is now back to its physical format from 10-20 February. Discover the festival highlights in our exclusive photogalleries

Cinémamed 2021 – Photogalleries - 02/12/2021

02/12/2021
Cinémamed 2021 – Photogalleries
Organised from 2-12 December, the Mediterranean Brussels film festival is back to its physical format and ready to celebrate the best European and Mediterranean films. Among the directors presented, Marco Bellocchio, Nabil Ayouch, Antoneta Alamat Kusijanović, Clara Roquet, Tony Gatlif, Jonas Carpignano and many others. Check out our photogalleries here

Black Nights 2021 – Photogalleries - 13/11/2021

13/11/2021
Black Nights 2021 – Photogalleries
One of the most prestigious gatherings of the Nordic-Baltic region, the Tallinn Black Nights Film Festival is set to brighten the dark Estonian winter from 12-28 November with a raft of new independent titles and a rich line-up of industry events. Discover this year’s festival highlights in our exclusive photogalleries

Lecce 2021 – Photogallery - 09/11/2021

09/11/2021
Lecce 2021 – Photogallery
Unspooling from 6-13 November, Lecce European Film Festival is finally back to its physical format and ready to celebrate the best European titles of the year. Check out our photogalleries here

Cinemed 2021 – Photogallery - 23/10/2021

23/10/2021
Cinemed 2021 – Photogallery
One of the most important showcases of Mediterranean cinema, the 43rd edition of Montpellier's Cinemed ran from 15-23 October. Discover this year's festival highlights in our exclusive photogallery

Rome 2021 – Photogalleries - 17/10/2021

17/10/2021
Rome 2021 – Photogalleries
The 16th edition of Rome Film Fest, running from 14-24 October, presented 23 new titles in its main competition. Discover our exclusive photogalleries from some of this year's red carpets

Review: Tori and Lokita

Review: Tori and Lokita

CANNES 2022: Jean-Pierre and Luc Dardenne return to the fundamentals of their filmmaking with a impressively refined story about two children who were left behind  

25/05 | Cannes 2022 | Competition

Review: Metronom

Review: Metronom

CANNES 2022: Alexandru Belc's drama explores a doomed love story in communist Romania  

25/05 | Cannes 2022 | Un Certain Regard

The CNC is to throw its weight behind studios and training

The CNC is to throw its weight behind studios and training

CANNES 2022: The "France 2030" call for projects is intended to foster the creation and modernisation of film studios and the development of training across the entire country  

25/05 | Cannes 2022

Reviews

La Jauría - by Andrés Ramírez Pulido

La Jauría
by Andrés Ramírez Pulido
CANNES 2022: Andrés Ramírez Pulido’s atmospheric debut feature trawls the murky depths of young delinquents’ criminal past as they undergo therapy in the isolation of the jungle

Aftersun - by Charlotte Wells

Aftersun
by Charlotte Wells
CANNES 2022: Charlotte Wells demonstrates her potential as a filmmaker with a subtle, sensitive and highly controlled first feature about the holidays of a divorced father and his 11-year-old daughter

Nostalgia - by Mario Martone

Nostalgia
by Mario Martone
CANNES 2022: Mario Martone introduces another quadrant to Naples’ film map by way of a movie about the need to repair our physical distance from others

Tori and Lokita - by Luc Dardenne, Jean-Pierre Dardenne

Tori and Lokita
by Luc Dardenne, Jean-Pierre Dardenne
CANNES 2022: Jean-Pierre and Luc Dardenne return to the fundamentals of their filmmaking with a impressively refined story about two children who were left behind

Love according to Dalva - by Emmanuelle Nicot

Love according to Dalva
by Emmanuelle Nicot
CANNES 2022: In her sober and moving first feature film, Emmanuelle Nicot paints the portrait of a child survivor who grew up dramatically too quickly

The Mountain - by Thomas Salvador

The Mountain
by Thomas Salvador
CANNES 2022: The remarkable Thomas Salvador delivers a more than astonishing work on the journey to the paranormal of man who turns his back to society to recharge in the mountains

Mediterranean Fever - by Maha Haj

Mediterranean Fever
by Maha Haj
CANNES 2022: Maha Haj's unlikely buddy-buddy movie is a delightful comedy about depression

Metronom - by Alexandru Belc

Metronom
by Alexandru Belc
CANNES 2022: Alexandru Belc's drama explores a doomed love story in communist Romania

Marco Bellocchio • Director of Exterior Night

Interview: Marco Bellocchio • Director of Exterior Night

“I wouldn’t know how to make a good TikTok video”

CANNES 2022: The 82-year-old Italian helmer breaks down his multi-perspective take on the kidnapping of politician Aldo Moro in 1978  

25/05 | Cannes 2022 | Cannes Première

Lumière Publishing acquires Benelux rights for Lukas Dhont’s Close

Lumière Publishing acquires Benelux rights for Lukas Dhont’s Close

CANNES 2022: The film is world-premiering in competition, and Lumière is piloting a new accounting solution with innovative tech company FilmChain  

25/05 | Cannes 2022 | Competition

Review: Godland

Review: Godland

CANNES 2022: Hlynur Pálmason makes a spectacular, visceral and epic film in the wake of a young Danish priest who faces thousands of challenges in the wild Iceland of the 19th century  

24/05 | Cannes 2022 | Un Certain Regard

Interviews

Dmytro Sukholytkyy-Sobchuk • Director of Pamfir

Dmytro Sukholytkyy-Sobchuk • Director of Pamfir
CANNES 2022: We chatted to the Ukrainian director about the origins of his feature debut, the intriguing dialect its characters use, and its possible roots in British thrillers

Emmanuel Mouret • Director of Diary of a Fleeting Affair

Emmanuel Mouret • Director of Diary of a Fleeting Affair
CANNES 2022: The French filmmaker discussed love, affairs, desire and emotions, as well as the question of gender, while explaining his latest movie

Pietro Marcello • Director of Scarlet

Pietro Marcello • Director of Scarlet
CANNES 2022: The Italian director discusses the cast and the challenges of making his first French-language film, as well as the topics it tackles, such as gender

Lise Akoka and Romane Gueret • Directors of The Worst Ones

Lise Akoka and Romane Gueret • Directors of The Worst Ones
CANNES 2022: The filmmaking duo explain their intentions for their first feature film which homes in on children, and their work with young people

Maksym Nakonechnyi • Director of Butterfly Vision

Maksym Nakonechnyi • Director of Butterfly Vision
CANNES 2022: The Ukrainian director gives us the low-down on his harsh and timely testimony to the women fighting for their integrity, their freedom and their future in his home country

Amandine Fredon and Benjamin Massoubre • Directors of Little Nicholas - Happy As Can Be

Amandine Fredon and Benjamin Massoubre • Directors of Little Nicholas - Happy As Can Be
CANNES 2022: The universe of the classic French children’s book gets a tender love letter with this film

Marco Bellocchio • Director of Exterior Night

Marco Bellocchio • Director of Exterior Night
CANNES 2022: The 82-year-old Italian helmer breaks down his multi-perspective take on the kidnapping of politician Aldo Moro in 1978

Valeria Bruni Tedeschi • Director of Forever Young

Valeria Bruni Tedeschi • Director of Forever Young
CANNES 2022: The Italian-French filmmaker unveiled her mature work diving back into the universe of young student-actors at Patrice Chéreau’s Théâtre des Amandiers

Review: La Jauría

Review: La Jauría

CANNES 2022: Andrés Ramírez Pulido’s atmospheric debut feature trawls the murky depths of young delinquents’ criminal past as they undergo therapy in the isolation of the jungle  

24/05 | Cannes 2022 | Critics’ Week

Review: Our Brothers

Review: Our Brothers

CANNES 2022: Combining documentary and fiction, Rachid Bouchareb revisits the death of Malik Oussekine in 1986, and Abdel Benyaha's comparatively anonymous one, against a backdrop of police violence  

24/05 | Cannes 2022 | Cannes Première

Review: A Male

Review: A Male

CANNES 2022: Colombian filmmaker Fabián Hernández’s debut queers the gangland coming-of-age film  

24/05 | Cannes 2022 | Directors' Fortnight

Trailers/Teasers/Clips

Love according to Dalva - by Emmanuelle Nicot

Love according to Dalva
by Emmanuelle Nicot
Cannes 2022 - Critics' Week
Rising Star Award

Nostalgia - by Mario Martone

Nostalgia
by Mario Martone
Cannes 2022 - Competition

Tori and Lokita - by Luc Dardenne, Jean-Pierre Dardenne

Tori and Lokita
by Luc Dardenne, Jean-Pierre Dardenne
Cannes 2022 - Competition

Will-o'-the-Wisp - by João Pedro Rodrigues

Will-o'-the-Wisp
by João Pedro Rodrigues
Cannes 2022 - Directors' Fortnight

Mediterranean Fever - by Maha Haj

Mediterranean Fever
by Maha Haj
Cannes 2022 - Un Certain Regard

Butterfly Vision - by Maksym Nakonechnyi

Butterfly Vision
by Maksym Nakonechnyi
Cannes 2022 - Un Certain Regard

Godland - by Hlynur Pálmason

Godland
by Hlynur Pálmason
Cannes 2022 - Un Certain Regard

Metronom - by Alexandru Belc

Metronom
by Alexandru Belc
Cannes 2022 - Un Certain Regard

What future awaits film financing? The panellists at Cannes Next have their say

What future awaits film financing? The panellists at Cannes Next have their say

CANNES 2022: Following the announcement of MediaInvest, the event covered new financing models such as the blockchain-based Decentralized Pictures and XYZ Films’ “transatlantic model”  

24/05 | Cannes 2022 | Marché du Film

The wins of real-time technologies take centre stage at Cannes Next

The wins of real-time technologies take centre stage at Cannes Next

CANNES 2022: Real-time tech through Unreal Engine has the potential to improve a team’s creative work and communication while saving time and money  

24/05 | Cannes 2022 | Marché du Film

Review: Sick of Myself

Review: Sick of Myself

CANNES 2022: Kristoffer Borgli’s unforgettable film, one of the festival’s best, is deliciously infuriating  

24/05 | Cannes 2022 | Un Certain Regard

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Reviews

Paris Memories - by Alice Winocour

Paris Memories
by Alice Winocour
CANNES 2022: Alice Winocour delves into the aftermath of a Paris terrorist attack and its hidden “diamonds”

Godland - by Hlynur Pálmason

Godland
by Hlynur Pálmason
CANNES 2022: Hlynur Pálmason makes a spectacular, visceral and epic film in the wake of a young Danish priest who faces thousands of challenges in the wild Iceland of the 19th century

Crimes of the Future - by David Cronenberg

Crimes of the Future
by David Cronenberg
CANNES 2022: David Cronenberg’s return to cinema is a haunting look at a future where humans have reached a new evolutionary stage

Sick of Myself - by Kristoffer Borgli

Sick of Myself
by Kristoffer Borgli
CANNES 2022: Kristoffer Borgli’s unforgettable film, one of the festival’s best, is deliciously infuriating

Pedro - by Lais Bodanzky

Pedro
by Lais Bodanzky
Laís Bodanzky’s feature navigates through the seas of fiction for a journey of urgent deconstruction and humanisation of historical figures and events

Industry Reports

Market Trends – 25/05/2022

The CNC is to throw its weight behind studios and training

CANNES 2022: The "France 2030" call for projects is intended to foster the creation and modernisation of film studios and the development of training across the entire country

Produce – Co-Produce... – 24/05/2022

What future awaits film financing? The panellists at Cannes Next have their say

CANNES 2022: Following the announcement of MediaInvest, the event covered new financing models such as the blockchain-based Decentralized Pictures and XYZ Films’ “transatlantic model”

New Media – 24/05/2022

The wins of real-time technologies take centre stage at Cannes Next

CANNES 2022: Real-time tech through Unreal Engine has the potential to improve a team’s creative work and communication while saving time and money

Distribution, Exhibition and Streaming – 23/05/2022

Netflix attends a round table on French film negotiations

CANNES 2022: The debate organised by the CNC highlighted the desire of industry professionals to continue negotiations so as to adapt to the growing change in the filmmaking business

Film Reviews

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