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Film Reviews

All About Yves - by Benoît Forgeard - CANNES 2019: Benoît Forgeard creates a wacky satirical comedy about artificial intelligence, featuring a fridge that takes control of a failing rapper’s life
All About Yves
by Benoît Forgeard
CANNES 2019: Benoît Forgeard creates a wacky satirical comedy about artificial intelligence, featuring a fridge that takes control of a failing rapper’s life
The Golden Glove - by Fatih Akin - BERLIN 2019: Fatih Akin’s new film is expertly made, but it’s also one of the most heinous and gory movies that have ever played in competition at a major film festival
The Golden Glove
by Fatih Akin
BERLIN 2019: Fatih Akin’s new film is expertly made, but it’s also one of the most heinous and gory movies that have ever played in competition at a major film festival
Consequences - by Darko Stante - TORONTO 2018: Darko Štante's debut feature explores problems in Slovenian youth and society, by focusing on issues of masculinity through its troubled teenage protagonist
Consequences
by Darko Stante
TORONTO 2018: Darko Štante's debut feature explores problems in Slovenian youth and society, by focusing on issues of masculinity through its troubled teenage protagonist
The Days to Come - by Carlos Marqués-Marcet - Catalan Carlos Marqués-Marcet rounds off his trilogy about couples falling out of love with a film on the whirlwind experience of becoming parents
The Days to Come
by Carlos Marqués-Marcet
Catalan Carlos Marqués-Marcet rounds off his trilogy about couples falling out of love with a film on the whirlwind experience of becoming parents
Deerskin - by Quentin Dupieux - CANNES 2019: Quentin Dupieux delivers a brilliantly refined film, between an absurdist comedy and a realistic drama about madness, with Jean Dujardin and Adèle Haenel excellent in the lead roles
Deerskin
by Quentin Dupieux
CANNES 2019: Quentin Dupieux delivers a brilliantly refined film, between an absurdist comedy and a realistic drama about madness, with Jean Dujardin and Adèle Haenel excellent in the lead roles
Dolce Fine Giornata - by Jacek Borcuch - Sundance regular Jacek Borcuch comes back to Park City with an alluring film, yet one that is loaded with profound questions about European identity
Dolce Fine Giornata
by Jacek Borcuch
Sundance regular Jacek Borcuch comes back to Park City with an alluring film, yet one that is loaded with profound questions about European identity
The Mustang - by Laure de Clermont-Tonnerre - Laure de Clermont-Tonnerre delivers an excellent first feature film shot in the US and revolving around a prisoner’s redemption through the training of a mustang
The Mustang
by Laure de Clermont-Tonnerre
Laure de Clermont-Tonnerre delivers an excellent first feature film shot in the US and revolving around a prisoner’s redemption through the training of a mustang
O Beautiful Night - by Xaver Böhm - BERLIN 2019: Young Berlin-based German filmmaker Xaver Böhm has created a deeply romantic journey through the night, which resembles a flamboyant baroque painting
O Beautiful Night
by Xaver Böhm
BERLIN 2019: Young Berlin-based German filmmaker Xaver Böhm has created a deeply romantic journey through the night, which resembles a flamboyant baroque painting

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Film Reviews

Dirty God - by Sacha Polak - With a mesmerising soundtrack and stunning visuals, Sacha Polak brings us a story about finding inner strength in her English-language debut
Dirty God
by Sacha Polak
With a mesmerising soundtrack and stunning visuals, Sacha Polak brings us a story about finding inner strength in her English-language debut
The White Crow - by Ralph Fiennes - Ralph Fiennes’ third directorial outing recounts the defection of Russian dancer Rudolf Nureyev as a Cold War ballet
The White Crow
by Ralph Fiennes
Ralph Fiennes’ third directorial outing recounts the defection of Russian dancer Rudolf Nureyev as a Cold War ballet
Buñuel in the Labyrinth of the Turtles - by Salvador Simó - Salvador Simó adapts Fermín Solís’ comic book of the same name into a film, adding colour as well as images from Land Without Bread, the documentary directed by Luis Buñuel in 1933
Buñuel in the Labyrinth of the Turtles
by Salvador Simó
Salvador Simó adapts Fermín Solís’ comic book of the same name into a film, adding colour as well as images from Land Without Bread, the documentary directed by Luis Buñuel in 1933
Diego Maradona - by Asif Kapadia - CANNES 2019: In this documentary of two halves, Asif Kapadia pits the loveable, vulnerable Diego against the less endearing public figure of Maradona
Diego Maradona
by Asif Kapadia
CANNES 2019: In this documentary of two halves, Asif Kapadia pits the loveable, vulnerable Diego against the less endearing public figure of Maradona
Marianne & Leonard: Words of Love - by Nick Broomfield - Nick Broomfield tackles the relationship between Leonard Cohen and Marianne Ihlen in this heartfelt, touching and romantic documentary
Marianne & Leonard: Words of Love
by Nick Broomfield
Nick Broomfield tackles the relationship between Leonard Cohen and Marianne Ihlen in this heartfelt, touching and romantic documentary
Away - by Gints Zilbalodis - The production history of this feature by Latvian animator Gints Zilbalodis is fascinating, but it’s what finally made it to the big screen that truly impresses
Away
by Gints Zilbalodis
The production history of this feature by Latvian animator Gints Zilbalodis is fascinating, but it’s what finally made it to the big screen that truly impresses
The Wolf’s Call - by Antonin Baudry - Spectacular, breath-taking and hyper-realistic, Antonin Baudry’s first feature delves into the world of nuclear submarines, setting the bar high for French production standards
The Wolf’s Call
by Antonin Baudry
Spectacular, breath-taking and hyper-realistic, Antonin Baudry’s first feature delves into the world of nuclear submarines, setting the bar high for French production standards
Of Time and the Sea - by Peter Sant - Peter Sant’s confident, slow-burning experimental feature debut, a co-production between Malta and the UK, has been showing on home turf at the Valletta Film Festival
Of Time and the Sea
by Peter Sant
Peter Sant’s confident, slow-burning experimental feature debut, a co-production between Malta and the UK, has been showing on home turf at the Valletta Film Festival
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