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Weekly feature introducing you to film professionals from all over Europe sorted by name.
8482 interviews available in total starting from 14/05/2002. Last updated on 15/10/2025. 654 interviews inserted in the last 12 months.
LATEST
“I make comedies seriously”
VENICE 2020: We talked to Quentin Dupieux, the director of Mandibles, about dim-witted protagonists and “creature features”. And Will Ferrell
07/09/2020 | Venice 2020 | Out of Competition
“This film is about the private and the public”
VENICE 2020: We asked Susanna Nicchiarelli, the director of Miss Marx, about her competition entry hinging on the youngest daughter of the famous thinker
07/09/2020 | Venice 2020 | Competition
"Now we have to think how to help the audiovisual sector recover"
VENICE 2020: European Parliament's Culture and Education Committee chair Sabine Verheyen discusses the brand-new LUX Audience Award, and how institutions...
07/09/2020 | Venice 2020/LUX Audience Award 2020
“The great thing is that you can’t stage these reactions – you just have to press ‘REC’ on the camera”
VENICE 2020: We sat down with Nathan Grossman to chat about I Am Greta, world-premiering out of competition, and its global phenomenon of a protagonist
06/09/2020 | Venice 2020 | Out of Competition
"What does it mean to be free?"
VENICE 2020: Tunisian filmmaker Kaouther Ben Hania talks about her astonishing work The Man Who Sold His Skin, a European production unveiled in the...
06/09/2020 | Venice 2020 | Orizzonti
"We started off by filming the music to capture the essence of the character"
VENICE 2020: Andrea Della Monica talks about his feature debut James, a documentary dedicated to the saxophone player James Senese, whose music fuses...
06/09/2020 | Venice 2020 | Giornate degli Autori
"I felt this is a story of a first love, so it couldn't be depressing"
VENICE 2020: Russian director Philipp Yuryev talks to us about his feature debut, The Whaler Boy, in which a teenager living in a Russian remote village...
“As children, we lived in a climate of fear, without much of an explanation from our parents”
VENICE 2020: Italy’s Claudio Noce speaks to us about Padrenostro, in which he takes on a traumatic part of his own childhood
05/09/2020 | Venice 2020 | Competition
“It’s a film about the wounds of war rather than the war itself”
Lucas Belvaux talks to us about his latest film, Home Front, showing at the Angouleme Francophone Film Festival and opening the Brussels International Film...
05/09/2020 | BRIFF 2020
"A story of a young woman's body torn between two cultures"
VENICE 2020: French-Algerian director Kamir Aïnouz talked to us about her feature debut, Honey Cigar, which opened the 17th Giornate degli Autori
05/09/2020 | Venice 2020 | Giornate degli Autori
"Telling a story helps you to forget that it is actually your story"
VENICE 2020: Elisa Fuksas talks to us about her documentary iSola, made during the lockdown and filmed entirely on a mobile phone, now selected for the...
"The journey is the only thing that allows us to empathise and to have a different opinion"
VENICE 2020: Antonio Pisu talks about his spirited and meaningful road movie Est, which opens the Venetian Nights of the 17th Giornate degli Autori
04/09/2020 | Venice 2020 | Giornate degli Autori
“If your parents are wrong, it doesn’t mean you will be right”
VENICE 2020: We talked to Daniele Luchetti, the director of this year’s opening film, The Ties, the first Italian title to kick-start Venice in 11 years
04/09/2020 | Venice 2020 | Out of Competition
“I have a sort of faith in the glittering darkness of love”
VENICE 2020: French director Nicole Garcia decrypts Lovers, a beautifully crafted film noir in competition for the Golden Lion
04/09/2020 | Venice 2020 | Competition
“My heroine is a virgin and she is happy about it”
We talked to the Polish director Daria Woszek, who puts a new spin on what it means to be “touched for the very first time” on her title Marygoround
03/09/2020 | Fantasia 2020
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