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Weekly feature introducing you to film professionals from all over Europe sorted by name.
9027 interviews available in total starting from 14/05/2002. Last updated on 18/09/2026. 606 interviews inserted in the last 12 months.
LATEST
“The goal is to highlight Belgian features and documentaries from the year to promote them to Belgian operators”
Hervé Le Phuez, programme director of the Namur International French-language Film Festival, discusses the programming process and the crucial role of a...
20/05/2019 | Euro Film Fest
“The purpose of the festival is to bring arthouse films to the audience”
Colette Naufal chats to us about the Beirut International Film Festival’s selection process and its Public Square section
“Through our industry programmes, we can follow the growth of the films, from the development stage to work in progress and being screened; this year there are six films in Cannes”
The head of industry and market at the Guadalajara International Film Festival, Angelica Lares, talks about the side events and master classes organised...
20/05/2019 | Euro Film Fest/Mexico
“One of the most powerful arguments for diversity and inclusion in the film industry is that of proportional representation”
We spoke to Themba Bhebhe, who is in charge of the Diversity & Inclusion initiative at the European Film Market
“I’m always happy for the movies to be shown in the most remote, craziest, and most difficult and different parts of the world”
We chatted to Pamela Leu, the founder of Be For Films, an independent film sales agent in Belgium
“A clear concept and consistency over the years are good ingredients in order to bind and engage the audience”
In this interview, Marjorie Bendeck, the director of Connecting Cottbus, breaks down the inner workings of the co-production market and the local film industry
“European film is what conveys the diversity of European culture”
The secretary general of the Goethe-Institut, Johannes Ebert, explains how the institute works and how it is involved in the “Support to EU Film Festivals”...
“Programming is one of the most amazing, but also one of the most difficult, things about film-festival work”
The executive, artistic and managing director of the imagineNATIVE festival, Jason Ryle, talks about the submission and selection process, and the...
“Our funding system is a happy medium between US private and French public funding”
Guilhem Caillard talks about the organisation of side events, the financing of a film festival, programming and the use of social media to promote events
“We hope to give international audiences an idea of European values that are at the heart of European cinema”
Anne Tallineau, executive director of the Institut français, talks about the aim and the work of the institute
"Our goal is to meet many film festival programmers and organisers, producers and creators"
CANNES 2019: We have met up with René Louis Cacciuttolo, CEO of VR-oriented media outlet VRRoom, at the innovation hub of the Marché du Film
19/05/2019 | Cannes 2019 | Marché du Film
"We have to create a virtual cycle between venues, studios and viewers"
CANNES 2019: At the Marché du Film, Onirix CEO Yohan Bouché talks about advancing mass adoption of cinematic VR through premium and comfortable technology
"It was great to be here and demonstrate our technologies"
CANNES 2019: We met up with Maciej Glowiak to talk about Immersify, a project providing cutting edge tools for the next generation of immersive media, at...
"Films are also made for communicating with spirits"
CANNES 2019: French filmmaker Bertrand Bonello explains the thinking behind Zombi Child which was unveiled in the Directors’ Fortnight at the Cannes Film...
19/05/2019 | Cannes 2019 | Directors’ Fortnight
"I wanted to explore how it is to love and hate someone at the same time"
CANNES 2019: Icelandic director Hlynur Pálmason visits Cannes with his second feature A White, White Day, selected in the Critics' Week
19/05/2019 | Cannes 2019 | Critics' Week
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