News

Every day, Cineuropa publishes articles on European cinema. If you are looking for a particular article, subject or person, you can click on Cineuropa's "search" button.

47718 news available in total starting from 14/05/2002. Last updated on 28/04/2025. 2441 news inserted in the last 12 months.

08 December 2021

The Co-production Podcast

Episode 18: The Delegation (Poland/Israel/Germany)

Production / Funding – Hungary

György Mór Kárpáti makes his return with Summer to Come

Production / Funding – Puerto Rico/Spain

Environmentalism and the quest for freedom come together in La pecera, the feature debut by Glorimar Marrero

Production / Funding – France

End of filming in sight for Alice Winocour’s Revoir Paris

Production / Funding – Spain

Gerardo Herrero finishes shooting Bajo terapia

Serbia/Croatia/Czech Republic

Review: Museum of the Revolution

07 December 2021

Festivals / Awards – France

Paris’s Forum des Images hosts the Carrefour du Cinéma d’Animation

Production / Funding – Spain

JA Bayona recreates the Andes plane crash in Society of the Snow

Production / Funding – Spain/Andorra

Shooting wraps on Olympics

Festivals / Awards – Serbia

The Belgrade Festival of Auteur Film wraps amidst Film Center controversy

Industry / Market – UK

Four British filmmakers launch pressure group Underlying Health Conditions and reveal a report on accessibility issues in the audiovisual industry

Production / Funding – Czech Republic

Czech debut Borders of Love to venture beyond the norms of monogamy

06 December 2021

Geneva 2021

Series review: Tschugger

Cairo 2021 – Awards

Mexican-Polish co-production The Hole in the Fence grabs the main trophy at Cairo

Production / Funding – Italy

Shooting has wrapped on the dystopian thriller starring Stefano Accorsi Hypersleep

Industry / Market – Europe

The European Audiovisual Observatory publishes a new report on European animation

Production / Funding – Spain/Portugal

Folk-horror flick The Open Body now filming

Production / Funding – Ireland

Robert Higgins and Patrick McGivney’s debut feature, Lakelands, in production

Turin 2021 – Torino Film Industry

The Torino Short Film Market announces its winners

Production / Funding – Czech Republic/USA

The sequel to Netflix’s most-watched original film, Extraction, starts shooting in the Czech Republic

Production / Funding – France

Infamous Men's Life has entered post-production

Cairo 2021

Review: Daughters

Festivals / Awards – UK

After Love wins six awards, including Best British Independent Film, at the BIFAs

03 December 2021

Turin 2021

Review: The Mute Man of Sardinia

The Co-production Podcast

Episode 17: Disco Boy (France/Italy/Poland/Belgium)

Industry / Market – Poland

The ANIMARKT Stop Motion Forum unveils its 2021 programme

Industry / Market – France

Canal+ signs a new agreement vis-a-vis French film

Production / Funding – Spain/Mexico

Miguel Ángel Vivas about to wrap Asedio

Production / Funding – France

EXCLUSIVE: The Innocent by Louis Garrel is now filming

02 December 2021

TorinoFilmLab 2021

The TorinoFilmLab’s 14th Meeting Event announces its champions

The Co-production Podcast

Episode 16: About Joan (France/Germany/Ireland)

Distribution / Releases / Exhibitors – Spain

Proyecto Viridiana is born

Distribution / Releases / Exhibitors – Sweden/Norway/Denmark/Finland

Industry experts analyse the opportunities and the challenges brought about by the surge in VoD services in the Nordic countries

TorinoFilmLab 2021

30 projects took to the stage at the 14th TFL Meeting Event

CEE Animation 2022

The call for entries is open for the 2022 CEE Animation Forum

Les Arcs 2021 – Industry Village

15 projects selected for the prestigious Work in Progress section of Les Arcs

IDFA 2021

Review: Babi Yar. Context

Cairo 2021

107 Mothers wins this year's Arab Critics’ Award for European Films

Production / Funding – Denmark/Sweden/Belgium

TrustNordisk boards new Zentropa-produced Viaplay drama series The Dreamer – Becoming Karen Blixen

IDFA 2021 – IDFA for Professionals

“Change is inevitable; it’s just annoying that it takes so long,” say critics at IDFA’s Representation and Diversity in Film Criticism panel

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