Oldman shines in Tinker, Tailor, Soldier, Spy
The first English-language film of Swedish director Tomas Alfredson, after his international breakout with the vampire drama Let the Right One In [+see also:
interview: John Nordling
interview: Tomas Alfredson
film profile], is the John le Carré adaptation Tinker, Tailor, Soldier, Spy [+see also:
Based on le Carré’s eponymous 1974 novel, the film is the second adaptation after a 1979 TV series in seven parts, in which Alec Guinness starred in the central role of George Smiley.
In this two-hour-plus version, Smiley, a former Secret Service operative who is asked to come back to root out a mole, is played with perfectly understated minimalism by Gary Oldman, who uses tiny gestures and facial expressions to suggest the inner life of the weary old veteran.
In fact, the entire film functions in a similarly understated way: There are no big chase scenes or spectacular explosion. Tinker, Tailor is the kind of spy film where the menace stems from the fact anyone could be a double or even triple spy and the devil is in the details.
Alfredson, filming a dense but impressively uncluttered screenplay by Bridget O’Conner and Peter Straughan, keeps his head cool, working his way through layer after layer of information with precision, aided by a superb and sprawling cast that includes Tom Hardy, Colin Firth, Toby Jones, Mark Strong, David Dencik, John Hurt, Benedict Cumberbatch and Ciaran Hinds.
Impressively, readers familiar with the outcome will still find a lot too enjoy here, as each shot contains fascinating little details, ranging from shot composition to the set decoration and from sound choices to small directorial flourishes. Production designer Maria Djurkovic (The Hours) and Dutch-Swedish cinematographer Hoyte Van Hoytema create a world whose predominantly drab colour palette is inspired by very things the characters seem to handle all the time: yellowing paper files, whiskey and, occasionally, tea.
The film, shot in the U.K. and on location in Hungary and Istanbul, is a coproduction between StudioCanal, Karla Films, Paradis Films, Kinowelt and Working Title Films, and received backing from Canal Plus and CineCinema. StudioCanal-owned Optimum Releasing will release the film in the U.K. on September 16.
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