July issue of Cinergie
The attention in next month's edition of the Belgian webzine is focused on two new films : Franco-Belgian co-production, Les Triplettes de Belleville [+see also:
trailer
film profile], much of whose special 3D effects were created in Belgium, and surprise Flemish hit, Anyway The Wind Blows [+see also:
trailer
film profile], with an interview by the director, dEUS frontman Tom Barman.
The highlights also include a long article about Geneviève Mersch who's about to wrap her directorial feature debut, J'ai toujours voulu être une sainte, scheduled for release shortly, as well as articles about two new films by Yaël André that are currenly in pre-production : Ordre & désordre and Dames à chat.
Cinergie also publishes an analysis of TV programmes like Muno by Bouli Lanners and it continues its rolling article about the various aspects that make up the film production process of Kamal Dehane's Les suspects. This month, they look at editing.
(Translated from French)
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