by Muriel Del Don
- Çağla Zencirci and Guillaume Giovanetti are presenting their third feature, a poignant portrait of the titular free-spirited and uncompromising woman
This year, directorial duo Çağla Zencirci and Guillaume Giovanetti are descending on the International Competition of the Locarno Film Festival with Sibel [+see also:
interview: Çağla Zencirci and Guillaum…
film profile], a powerful film drenched in a mysterious – and to some extent even mystical – atmosphere. As the directors themselves have said, this is the first time that they have approached a narrative using a professional actress (Damla Sönmez, who gives a heart-rending performance). The result is touching and resplendent, just like Sibel herself.
The main character in Sibel is a young mute woman who lives with her father and sister in a remote mountain village overlooking the Black Sea. Sibel manages to express herself by using a whistled language, an ancestral means of communication that recreates all the syllables of the Turkish language through sounds. Ostracised by the inhabitants of the village, who view her as a second-class citizen, Sibel decides to hunt down a mysterious wolf that prowls around the forest, which has become a living nightmare for the women of the village, who no longer dare to venture beyond its confines. While combing the forest for the mysterious creature, Sibel comes across a fugitive. Injured, drained of strength and utterly vulnerable, for her this enigmatic character represents a contrast she has long been searching for, a breath of fresh air that whisks her far away from the stifling rules imposed by the patriarchal society in which she lives.
In keeping with their previous films – Noor [+see also:
film profile] (2014) and Ningen (2015) – Zencirci and Giovanetti continue their exploration of the human soul, placing intense characters who have made a powerful impression on them at the centre of their narrative. In the case of Sibel, they drew their inspiration from a woman they stumbled upon by chance in Kusköy, a village in the north of Turkey well known for its use of a whistled language. For the two directors, this enigmatic woman became a sort of guide to a secret and ancestral world governed by its own specific rules.
As lead actress Damla Sönmez says, in the village where Sibel lives, women are unable to have their own dreams. The men dream for them and determine their destinies, as if they were the owners of the women’s very lives. Sibel is the only female who does not embody “feminine” stereotypes in the eyes of this patriarchal society. She is not merely acting out her life; she is living it. This apparently silent rebellion morphs into a primal scream, thanks to her meeting with the fugitive. The story of this modern-day Joan of Arc is universal, just like the message that accompanies the majestic images of nature surrounding the settlement. Fighting for a life worth living, being free and not having to worry about other people’s opinions – that is what our heroine is striving for.
Zencirci and Giovanetti urge us to reflect on who the outsider, the misfit or the stranger really is, in a society where everything is tightly controlled right down to the smallest detail, a society that is totally smooth and unblemished, like a rock ground and polished for too long. And what if the revolution were born of the very ashes of a fire that, for now, seems to have been brought under control? Well, Sibel is the living proof of this.
Sibel was produced by Les Films du Tambour in co-production with Riva Filmproduktion, Bidibul Productions, Mars Production and Reborn Production. The international rights belong to Pyramide International.
(Translated from Italian)
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