Review: Sea Fever
- The sci-fi eco-thriller by Dublin-born filmmaker Neasa Hardiman boasts a solid cast and excellent direction, but is somewhat lacking in dramatic tension
In Irish and Celtic mythology, Niamh Chinn Óir, or rather 'Niam with the Golden Hair, was the daughter of Manannan mac Lir, the god of the sea and of weather, and the guardian of the Otherworld. But it’s also the prophetic name of the old fishing trawler which Siobhán – the film’s protagonist - climbs aboard in Sea Fever [+see also:
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film profile], a film which is having its European premiere in the Official Selection of the Trieste Science+Fiction Festival following a stint at the Toronto IFF. Directed by the Dublin screenwriter and filmmaker Neasa Hardiman – the proud owner of two Baftas and a variety of other prizes for the TV series Happy Valley and Tracy Beaker Returns - Sea Fever is a sci-fi thriller characterised by a certain emotive pull and a predictable ecological message.
Featuring among the solid cast is Danish star Connie Nielsen, the unforgettable Lucilla in The Gladiator and more recently Wonder Woman’s Hippolyta, stepping into the shoes of Freya, the owner of the vessel, who, alongside her skipper husband Gerard (Scot Dougray Scott, Taken 3 [+see also:
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film profile]), an expert Syrian engineer (Ardalan Esmaili, Domino [+see also:
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Sea Fever is curiously similar to Alien - with the deep, dark sea in the place of space - in terms of its courageous, heroic female lead, its references to motherhood, the alien threat posed, the little monsters which grow inside of bodies, the threat of an invasion on terra firma, and even the tiny escape pod which emerges at the end, a rubber dinghy in this instance. The actors deliver an excellent performance, despite the lack of any real sense of empathy developed on the part of the audience, and Hardiman’s claustrophobic direction keeps the film afloat for its full 90-minute duration, treating the viewer to visually enthralling watery depths along the way (photography comes courtesy of Ruairí O'Brien). But the dramatic tension in the picture isn’t always as high as it could be, and the plot twists opted for by the director have all been seen before. Ultimately, the script is more effective at emphasising the importance of scientific reasoning than it is at frightening the audience.
Sea Fever is an Irish-Swedish-Belgian-British co-production by Fantastic Films, Bright Pictures, Frakas Productions and Makar Productions. International sales are in the hands of US outfit Epic Pictures Group.
(Translated from Italian)
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