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SOFA 2022

SOFA’s Warsaw workshop unveils its diverse selection of participants

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- The training programme is aimed at strengthening regional film industries across Europe, with a particular focus on the Eastern Partnership countries

SOFA’s Warsaw workshop unveils its diverse selection of participants
SOFA's class of 2022-23 at the opening session

SOFA School of Film Advancement, the training programme aimed at strengthening regional film industries across Europe, with a particular focus on the Eastern Partnership countries, has announced the launch of its ninth edition and unveiled its project selection for 2022-2023.

After two years of going virtual with a fully online programme, SOFA returns with a physical, on-site presence and has revealed a new, larger line-up of 16 projects and 20 participants, composed of up-and-coming film-industry executives, curators and cultural managers from 17 countries. In the opening session that took place in Warsaw from 25-30 September, the participants agreed and emphasised together that, given the fraught political situation in many of their countries, the need for creative cooperation across borders between the Eastern Partnership countries and the EU is more important now than it ever has been.

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SOFA’s intensive one-year programme, comprising three focused workshops complemented by regular virtual sessions, aims to support, nurture and bring to fruition the “dream projects” of the participants, who apply with a specific project plan concerning the fields of distribution, education, funding, exhibition, curation or criticism.

SOFA’s 2022-23 project selection includes business and institutional projects focused on environmental activism, mental health in the film industry, film education, indigenous cultures, sustainability, inclusion and accessibility, and the preservation of independent film journalism and criticism, as well as remote learning.

SOFA director Nikolaj Nikitin said about the specific focus of this year’s edition: “It’s a clear priority of ours to support projects that conceive of film and audiovisual media as a force for free speech, resistance and the strengthening of civil society through our joint work.” This new edition’s support for Ukrainian projects also reflects a specific commitment the organisation has made since the outbreak of the war.

The 2022-23 SOFA participants are as follows:

Leonid Kalitenya and Natalia Bruzhnik (Belarus/Lithuania)
Project: BFN – Belarussian Filmmakers Network

Dániel Botos and Máté Körösi (Hungary)
Project: CinemaJam

Bibesh Roy and Arifur Rahman Khan (Bangladesh)
Project: TALKIES – A Cinematic Pleasure

Olga Zhurzhenko and Sia Titova (Ukraine/Poland)
Project: MoreFilm.Fun

Pavel Ruzyak (Czech Republic)
Project: Filming without Barriers

Gunel Gadirova (Azerbaijan)
Project: Council for Audiovisual Production

Salomé Jashi (Georgia)
Project: Cinema Nutsa

Grzegorz Czyż (Poland)
Project: Warszawa\Praga Studio

Louise Højgaard Johansen (Denmark/Czech Republic)
Project: Sane Cinema

Elena Rubashevska (Ukraine/Poland)
Project: IFCH – International Film Critics Hub

Teimuraz Chkhvimiani (Georgia)
Project: Deli Residency at Svaneti IFF

Joanna Wyrwa (Poland)
Project: Film for Better

Nadejda Koseva (Bulgaria)
Project: CITE - Cinema International Teenage Education

Aleksandar Arsovski (North Macedonia/Croatia)
Project: Short Fits - Film Market

Danijela Radulović (Montenegro)
Project: PROFILMIA LAB - Virtual Film Lab

Anja Mayer (Germany/Switzerland)
Project: My Remote Knowledge Guide

SOFA is a project developed by Filmplus gUG (Berlin, Germany) in partnership with the ARTUM Foundation ewa partum museum (Deby, Poland) and 20 Steps (Tbilisi, Georgia), supported by the German Federal Foreign Office/Civil Society Cooperation, the European Cultural Foundation and SdpZ (Foundation for Polish-German Cooperation). The Warsaw workshop was additionally supported by the Polish Film Institute (PISF) and the Mazovia Film Commission. The strategic partners involved are EAVE, the Goethe-Institut and MIDPOINT.

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