29/06/2023 - Unspooling between 30 June and 8 July, the festival will offer up a varied and incredibly tantalising selection, consisting of 124 films hailing from 44 countries

Now at its 22nd edition - the second of which to be directed by Pierre-Yves Walder - the NIFFF (Neuchâtel International Fantastic Film Festival) remains an audacious, multidisciplinary and avant-garde event. Showcasing a total of 124 films hailing from 44 countries, the festival which is unspooling between 30 June and 8 July looks set to be varied and incredibly tantalising. Jostling among the selected directors are those who belong to a brand-new generation, determined to drive a radical and original genre forwards, alongside major players within the fantastic film genre, such as the American director and producer John McTiernan, who created cult action films along the lines of Die Hard, and Japanese director Katsuhito Ishii. The president of the International Competition Jury will be French actress and screenwriter Josiane Balasko, a surprising choice which highlights the festival’s desire to explore fantastic film in all its forms. She’ll be joined by John McTiernan, Austrian director and screenwriter Veronika Franz, comic book illustrator and author Charles Burns, and French director and screenwriter Olivier Babinet.

An impressive number of European productions and co-productions are set to battle it out for the prestigious Narcisse H.R. Giger within the International Competition (composed of 14 films). These include first feature films Animalia [+see also:
film review
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interview: Sofia Alaoui
film profile] by Sofia Alaoui - an intriguing and apocalyptic film rewarded at the Sundance Festival - and Amanda Nell Eu’s unhinged movie Tiger Stripes [+see also:
film review
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interview: Amanda Nell Eu
film profile], which clinched the Grand Prize in Cannes’ Critics’ Week. France will also be in attendance with Tropic [+see also:
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film profile] by Edouard Salier, which follows a pair of twins as they get ready to head into space, and Vincent Must Die [+see also:
film review
trailer
interview: Stéphan Castang
film profile] by Stéphane Castang, which was presented in a Special Screening in Cannes’ Critics’ Week. Returning to the NIFFF, Jennifer Reeder will unveil her surrealist and haemoglobin-filled film Perpetrator [+see also:
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film profile] to festival-goers, while Christopher Smith will be presenting his mystical-horror Consecration in a Swiss premiere. European films gracing the International Competition include the supernatural thriller El Cuco [+see also:
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film profile] by Spanish director Mar Targarona; Paolo Strippoli’s Italian-Belgian co-production Flowing [+see also:
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film profile], which is a gory thriller-come-horror describing the unexpected effects of a mysterious vapour drifting up from the Roman sewers; White Plastic Sky [+see also:
film review
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interview: Tibor Bánóczki, Sarolta Szabó
film profile] by the Hungarian directorial duo composed of Tibor Bánóczki and Sarolta Szabó; the futurist detective film Restore Point [+see also:
film review
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interview: Robert Hloz
film profile] by Czech filmmaker Robert Hloz; Danish movie Superposition by Karoline Lyngbye; and British film Raging Grace by Paris Zarcilla, revolving around a Filipino immigrant who witnesses terrible secrets.

Alongside the festival’s competitive sections, Third Kind will also be presenting countless films in Swiss premières, including Normale [+see also:
trailer
film profile] by jury member Olivier Babinet, who casts Benoit Poelvoorde in the role of a flamboyant father; Omen [+see also:
film review
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interview: Baloji
film profile], which is the debut film by the Belgian artist hailing from the DRC Baloji; radical thriller The Last Night of Amore [+see also:
film review
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interview: Andrea Di Stefano
film profile] by Andrea Di Stefano; UFO Sweden by the Swedish collective Crazy Pictures; and the dark drama When It Melts [+see also:
film review
interview: Veerle Baetens
film profile] by Veerle Baetens. The Ultra Movies section, especially for thrill-seekers, is set to host world premieres of Ian Hunt-Duffy’s Irish movie D [+see also:
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film profile]ouble Blind [+see also:
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film profile], and of Pandemonium [+see also:
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film profile] by the multidisciplinary French artist Quarxx.

Last but not least, the opening film of this year’s event will be French-American director Sophie Barthes’ sci-fi-tinged comedy The Pod Generation [+see also:
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film profile], while an international premiere of the French-Belgian film Acide [+see also:
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film profile], directed by Just Philippot and starring Guillaume Canet and Laetitia Dosch, is set to close the festival.

(Translated from French)