Eurimages supports 24 co-productions
- New projects by Kaouther Ben Hania, Maryam Touzani, Emily Atef, May el-Toukhy and Damjan Kozole are among the selection
The results of the third Eurimages project evaluation session of 2024 have just been announced. Further to recommendations made by independent experts meeting online, the executive committee of the fund has decided to support the co-production of 24 feature films, including 4 documentaries and 1 animation, for a total amount of €6,780,000. Of the 24 co-production projects supported during the session, 16 are to be directed or co-directed by women, representing 76.39% of the total funding awarded.
The films supported include the new work by acclaimed directors such as Tunisia's Kaouther Ben Hania (whose latest work Four Daughters [+see also:
film review
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interview: Kaouther Ben Hania
film profile] earned her Cannes' Golden Eye for Best Documentary and her second Oscar nomination after the one for The Man Who Sold His Skin [+see also:
film review
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interview: Kaouther Ben Hania
film profile]), who has received €430,000 for her new project You Shall Not Make an Image (France/Germany/Tunisia/Belgium), a tale of a reserved young woman who studies in Tunis and is passionate about cinema, who receives a mysterious key from her dying grandmother and sets out to explore her family’s past and the beliefs of her village. Other well-established filmmakers that have received funding for their new projects are Morocco's Maryam Touzani, with €500,000 for her Spanish-set Calle Malaga (France/Spain/Germany/Belgium), her follow-up to the acclaimed Adam [+see also:
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film profile] and The Blue Caftan [+see also:
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film profile]; German-French filmmaker Emily Atef (3 Days in Quiberon [+see also:
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interview: Emily Atef
film profile], More than Ever [+see also:
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film profile]) with €400,000 for Mercy (Germany/France); Denmark's May el-Toukhy (Queen of Hearts [+see also:
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interview: Gustav Lindh
interview: May el-Toukhy
film profile]), with €349 000 for Woman, Unknown (Denmark/Lithuania/Sweden); and Slovenia's Damjan Kozole (Nightlife [+see also:
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interview: Damjan Kozole
film profile]), with €275,000 for 20 Meters (Slovenia/Serbia) (read news).
More established filmmakers have been supported, such as Germany's Frauke Finsterwalder (Sisi & I [+see also:
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interview: Frauke Finsterwalder
film profile]), with €350 000 for Eurotrash (Germany/Switzerland/Austria); Slovenia's Martin Turk (Good Day's Work [+see also:
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film profile], Don't Forget to Breathe [+see also:
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film profile]) with €150 000 for Washed and Buried (Slovenia/Italy/Croatia) (read news); France's Laïla Marrakchi (Marock [+see also:
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film profile], Rock the Casbah), with €375,000 for Strawberries (France/Spain/Morocco); and Venezuela's Patricia Ortega (Mamacruz [+see also:
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film profile]), with €73,000 for 9 Moons (Spain/Belgium).
The supported second fiction features are La Gradiva (France/Italy) by France's Marine Atlan (read news), with €400,000; The Last One for the Road (Italy/Germany) by Italy's Francesco Sossai (Other Cannibals [+see also:
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interview: Francesco Sossai
film profile]), with €300,000; and Tears of Neon (Poland/Bulgaria) by Poland's Karolina Bielawska (Call Me Mariana [+see also:
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film profile]), with €127,000.
The supported first fiction features are The Visitor (Lithuania/Norway/Sweden) by Lithuania's Vytautas Katkus, winner of the Next Step Award at the Cannes' Critics' Week (watch interview), with €210,000; Ivy (Portugal/France) by Portuguese documentary filmmaker Catarina Mourão (Astrakan 79), with €250,000; The Station (France/Jordan/Germany/Netherlands) by Yemeni-Scottish film director based in Amsterdam Sara Ishaq, nominated for an Oscar for her short film Karama Has No Walls, with €150,000; I Won't Die for Love (Spain/Belgium) by Spain's Marta Matute, with €315,000; The Crux (Germany/Poland) by Germany's Ulrike Tony Vahl, with €500,000; The Girl (France/Belgium) by France's Marina Ziolkowski (France), with €400,000; and The Golden Age (France/Italy) by France's Bérenger Thouin, with €370,000.
Regarding the financed animation films, there is one title in this session, Fairyheart (Hungary/Canada) by Canada's Anita Doron, with €500,000.
As for the supported documentaries, the titles are Fixing the War (Ireland/Ukraine) by Ireland's Clare Stronge and Ukraine's Vadym Ilkov, with €41,000; Future Tenses (Greece/France) by Greece's Christos Karakepelis, with €140,000; Sleepless Nights (Portugal/France) by Portugal's Tiago Hespanha, with €95,000; and Queen of the Stone Age (Germany/Switzerland), with Germany's David Bernet, with €80,000.
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