The Red Sea Souk gears up to present 38 projects
by Ola Salwa
- The industry sidebar of the Red Sea International Film Festival, unspooling from 7-11 December, will feature both film and episodic projects
Even though the Red Sea International Film Festival has only been up and running for four years, its industry event – the Red Sea Souk, unspooling from 7-11 December – is already very much sought after, and many emerging filmmakers seek the support that it offers. With financial awards in the form of grants as high as $75,000 (the Red Sea Souk Best Production Award) and many other in-kind prizes, it provides some very significant backing.
The accepted projects are divided into three sections: Red Sea Souk Projects (12 works in development and seven works in progress), The Lodge Projects (12 projects that participate in the Red Sea Lodge development programme) and Red Sea SeriesLab (seven episodic titles). They will be presented at the usual pitching sessions and evaluated by three different juries. The projects hail from over 20 countries; 16 out of the 38 titles are co-productions with European countries, including France, Switzerland, Bulgaria, Norway and Belgium.
“The Souk continues to be your window into the Arab and African film industries, and from this year onwards, we have opened up our opportunities to talent and projects from the whole of the Asian continent,” say Holly Daniel, Souk director, and the event’s manager, Zain Zedan. The event also offers a series of panel discussions aimed at up-and-coming filmmakers, which map out how the industry works, as well as hosting workshops for film critics and a series of networking sessions.
Here is the full list of projects taking part:
Red Sea Souk Projects in Development
Do Re Mimi – Fatima Al-Banawi (Saudi Arabia)
Production: Alf Wad for Audiovisual Productions
Farouk – Halkawt Mustafa (Iraq/Norway)
Production: Hene Films
Haven of Hope - Seemab Gul (Pakistan)
Production: Cinelava
Holy Cow (working title) – Asmae El Moudir (Morocco)
Production: Insightfilms
It’s Okay, I’m Only Human – Karim Ghorayeb, George Peter Barbari (Lebanon/France)
Production: Bittersweet Pictures
La Pyramide – Cj “Fiery” Obasi (USA/Brazil/Senegal/UK/Nigeria)
Production: Bardo Openvizor
Mother, Maybe – Sonny Calvento (Philippines/Singapore/Taiwan)
Production: Southern Lantern Studios
Robbing Beirut – Katia Jarjoura (Lebanon/France)
Production: Blue Train Films
Tahmina – Aboozar Amini (Netherlands/Afghanistan/Canada/Germany)
Production: Silk Road Film Salon bv
The Loneliness of the Light Skin One – Baloji (DR Congo/Belgium/France/Netherlands/South Africa)
Production: Wrong Men
The Sea Was Once Blue – Mohamad El-Hadidi (Egypt/France)
Production: Furyo Films
Watch It Burn - Makbul Mubarak (Indonesia)
Production: KawanKawan Media
Red Sea Souk Works in Progress
A Winner Is Seen at the Start – Zhannat Alshanova (Kazakhstan/France/Netherlands/Lithuania)
Production: Films de Force Majeure
Allah Is Not Obliged – Zaven Najjar (France/Luxembourg/Belgium/Canada)
Production: Special Touch Studios
Dandelion’s Odyssey – Momoko Seto (Japan/France/Belgium)
Production: Miyu
Fuxi – Jiongjiong Qiu (Taiwan/France/Japan)
Production: Uluka Studio Limited, Midnight Blur Films, Rise Pictures Co, Ltd
Guria – Levan Koguashvili (Georgia/Switzerland/Luxembourg/Bulgaria/Turkey)
Production: Kino Iberica
Memory of Princess Mumbi – Damien Hauser (Kenya/Switzerland)
Production: Hauserfilm
Vagabonds – Amartei Armar (Ghana)
Production: AKA Entertainment Ltd
SeriesLab Projects
B’itha (Saudi Arabia)
Screenwriter: Noorah Al-Eidi
Producer: Sheheryar Ahsan
Cold Cas-One (Pullukandam Murder Case) (India)
Screenwriter: Nithin Lukose
Generation A (Kenya)
Screenwriter: Mona Ombogo
Producer: Lousie Kamwangi
Pazuzu (Iraq)
Screenwriter: Ali Kareem
Saria Othoman Needs No Man (Lebanon)
Screenwriter: Estephan Khattar
Producer: Hiba Louis
Shani Bazaar (India)
Screenwriter: Karan Kabir
Switch (Uganda)
Screenwriter: Nathan Mangoola
Producer: Nathan Mangoola
The Lodge Projects
Assa, a Fish in a Bowl – Dahlia Nemlich (Lebanon/France/Denmark)
Production: Special Touch Studios
Blue Card – Mohammaed Alomda (Sudan/Egypt)
Production: Station Films Cinema Production Co Ltd
Close Rose Close – Rulan Hasan (Saudi Arabia)
Production: Righters House
Hadd – Jamal Kutbi (Saudi Arabia)
Production: FishEye Films
I Didn’t Sign up for This – Lana Komsany (Saudia Arabia)
Production: Agency al-Muntijun Bahitraf for Art Production (aka Rose Panthera)
I’ll Smile in September – Aakash Chhabra (India/Singapore)
Production: Crawling Angel Films, Sanjay Gulati, Akanga Film
Asia, Fran Borgia
Jaysan – Aisha Sultanbekova (Kyrgyzstan)
Production: Koyon Media
Manjano – Omar Hamza (Kenya)
Production: Giza Visuals
Pepo Kali – Lydia Matata (Kenya)
Production: The Ololokwe Movie Company
Tarfaya – Sofia Alaoui (Morocco/France/Belgium)
Production: Jiango Films
Terbakar – Shelby Kho (Indonesia/Singapore)
Production: Momo Film Co
The Silent Ones – Jawahine Zentar (France/Morocco)
Production: Offshore
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